Eleven sexy music videos you could never see on television complete and uncensored for the first time.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.
Interviews with personalities including John Mellencamp, Spike Lee, Lou Reed, Roseanne Barr, David Byrne, George Michael and more, as they reflect on the 1980s.
Revisit events from Bocchi joining Kessoku Band to their first successful gig.
Live performance of Nine Inch Nails & David Bowie on their 1995 Outside Tour
A Long Island punk band meets a mysterious director through social media who generously offers to shoot their first music video for free. Desperate for fame, they drive deep into the Pennsylvania woods in hopes of making a killer music video.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
B'Day Anthology Video Album is the first video album by American recording artist Beyoncé. It features thirteen music videos for songs from her second studio album, B'Day and its deluxe re-release. Beyoncé shot nine videos for the album, and four pre-filmed videos were also included. B'Day Anthology Video Album debuted at number twenty-four on the US Top Music Videos chart dated April 28, 2007. It was certified double platinum by the Recording Industry Association of America (RIAA) on October 3, 2007, denoting the shipments of 200,000 copies.
"It’s remarkably contagious thinking about how much I’m willing to belong to the ones I love," says Tennis frontwoman Alaina Moore in this beautiful short-film, 'Interiors', which features music from the band’s 'Yours Conditionally’ album, and was created in collaboration with Vinyl Me, Please.
A documentary that explores the challenges that a life in music can bring.
It’s the city that gave birth to The Beatles, inspired Gerry to ride that ferry, and spawned Bunnymen and Atomic Kittens. Now with all eyes – and ears – on Liverpool for the 2023 Eurovision Song Contest, a look into the BBC’s archives for a selection of performances from some of Merseyside’s biggest and best-loved musical stars.
The story of Ivan and Josh, two dimwitted ex-security guards who love music videos. Out of work, with no job prospects, they form a music video production company. They soon learn the ins and outs of the business in LA, and with some help from Mo Fuzz, they soon become hot property. But not all goes smoothly when they try to resurrect the career of their favorite R&B duo, the Swanky Modes.
Hullabaloo: Live at Le Zenith, Paris (commonly referred to as Hullabaloo) is a live video album by English alternative rock band Muse. The video documents the band's two performances at Le Zénith in Paris, France on 28 and 29 October 2001 and features an additional disc of backstage footage.
The brothers Gibb perform their greatest hits from the 60's, 70's, 80's and 90's including many songs written for and made hits by other artists but never recorded by the Bee Gees themselves.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
Four talented alien musicians are kidnapped by a record producer who disguises them as humans. Shep, a space pilot in love with bass player Stella, follows them to Earth. Reprogrammed to forget their real identities and renamed The Crescendolls, the group quickly becomes a huge success playing soulless corporate pop. At a concert, Shep manages to free all the musicians except Stella, and the band sets out to rediscover who they really are — and to rescue Stella.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
In a short musical film directed by Paul Thomas Anderson, Thom Yorke of Radiohead stars in a mind-bending visual piece. Best played loud.
A documentary on the music, performers, attitude and distinctive look that made up punk rock.