Guatemala: Heart of the Mayan World

This Traveltalk series short visits the village of Chichicastenango, Guatemala and emphasizes the influence of the Mayan culture on its people. It shows how the residents intermingle ancient religious practices with Catholic teachings. Narrator James FitzPatrick introduces, and greets on camera, Father Ildefonso Rossbach, a Catholic priest who ministers to the local population in the village and outlying areas.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

One of the great mysteries of history is how the ancient Maya built such an incredible society in a tropical rainforest over two thousand years - and then vanished. How? Why? New discoveries and new science can now tell the story.

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.

This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

During the 2020 pandemic summer, El Colegio de la Desextinción infiltrated into the holidays of four Divine Caste’s descendants. This elite built its wealth on slavery in the sisal plantations of Yucatán, Mexico, at the end of the 19th and beginning of the 20th century. Every year these families move to their opulent summer houses at Chicxulub Puerto, built at the same place where the asteroid that killed the dinosaurs hit. In these apocalyptic beaches, seducers of asteroids and conquistadors, we proposed the young heirs to write and star in a film about Chicxulub’s crater, in which they staged their entrepreneur fantasies.This documentary is the result of the political unconsciousness of this peninsular ethnic group.

Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.

Claudia Paz y Paz is the head of the Guatemalan Public Prosecutor’s Office. We follow her during her four-year mandate as the Attorney General of one of the world’s most dangerous countries. This documentary closely observes her attempts to break the downward spiral of a society where drug cartels, corruption and violence have become part of daily life. She manages to improve the country’s safety and justice issues but is met with much resistance. Her commitment to the rule of law is her strength as well as her destiny. At what price do four years of service as the Attorney General of Guatemala’s murder paradise come?

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Widows is a documentary about the wives of pilots, who have been killed while working on the streets of Guatemala City. Being a van or taxi driver in the Central American country is considered one of the most dangerous jobs in the world.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

In a world drifting further away from participatory food production, relying instead on large corporations to feed us, this film asks “What do we lose by giving up our responsibility to produce food?”

Told almost entirely without spoken words, this film unfolds in the language of its subjects: Guatemalan Sign Language. In a country where more than 850,000 Deaf people receive little institutional support, silence becomes both a barrier and a form of connection. Through classrooms, homes, and everyday life, the film observes a community building its own means of understanding and belonging. Among those leading the way are Melkin, Dairy, and Jonathan, the teachers, students, and leaders within Guatemalan Deaf Ministries, where the language of hands has become the language of hope.

The Perechú family is afraid that the ancestral costume of their ancestors will disappear, but they see soccer as an opportunity to keep their culture and legacy alive.

Focuses on 1992 Nobel Peace Prize winner, Rigoberta Menchu, as she discusses the lack of human rights for the indigenous people of Guatemala and her commitment to the struggle for a more egalitarian society.

Enduring 28 days of relentless construction labor, Frank struggles to prep a house for painting amidst Phoenix's scorching pandemic summer.

In this Traveltalk series short, we visit a region in Guatemala where the native Indian tribes live like their ancestors, without using most of the benefits of modern man. They not only grow their own vegetables and catch animals to eat, they also cultivate the plants they need to weave fabrics and make natural dyes from various berries and seeds.

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.

A joyous Guatemalan film about the magic and charm of puppetry. This documentary follows the charismatic artists as they make their puppets and perform. Both humorous and socially aware, their themes are drawn from classic stories, local legends and history.