Speakers for the Dead

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

VH1 uncovers the frightening allure and danger of skinhead rock, a key recruitment tool in the U.S. white power movement. You'll hear from the bands and their fans, and learn the remarkable story of George Burdi, a hate rock pioneer who now plays in a multicultural band in Toronto. We'll also examine the rock against racism movement, revealing a battle for the hearts and minds of young music fans.

October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school. February 2004, a law was eventually passed by the National Assembly. "A thinly veiled racism" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to "reveal" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group "A School for You-All" fighting for the repeal of this law they consider sexist and racist ... This movie was censured in Septembre 2004 in France.

Afonsinho, Paulo Cézar Caju and Nei Conceição started their careers in the mid-1960s, a time of strong political repression in Brazil. Originally teammates of a celebrated generation of the Botafogo football team superstars, they did not give up their freedom when the military dictatorship decided to take control of the field.

Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.

Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.

A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.

How do white South Africans deal with their fears of crime and violence? Like crocodiles, some survive without evolving, living with their fears. Others make fear their friend and evolve in ways you'd never imagine.

Black White & Blue covers race issues in America, police brutality, the Black Lives Matter movement, the Flint Water Crisis, and the 2016 election of President Donald Trump. The film features one-on-one interviews with notable African-Americans: Michigan Senator Coleman Young II, Baltimore attorney William "Billy" Murphy Jr., rapper Killer Mike, former NYPD Officer Michael Dowd and others.

Jeffery Robinson's talk on the history of U.S. anti-Black racism, with archival footage and interviews.

Emma Dabiri looks at racism in Britain via the world of modern dating, love apps, and a national survey suggesting that young Britons could be more segregated than ever.

The documentary tells the story of Júlio César, a young Afro-Brazilian who was executed by the Police in the 1980s in Porto Alegre. The crime became notorious when the press published photos of Julius being put alive in the police car and arriving 37 minutes later shot and dead at the hospital.

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Afro-Antillean workers hired for the construction of the Panama Canal are brought from their homes to work in conditions that were not those promised. They, the descendants of African slaves and domesticated from England, manage to raise their voices against American injustices.

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

Under pressure from activist groups, art is increasingly being cancelled for ideological reasons, because of 'cultural appropriation' or because of the desire for a 'safe space'. The colour and gender of the artist seem to be all-determining in this. How do you relate to this as an artist? Is this a disturbing development or a sign of emancipation? And what does it mean for freedom of expression? Director Karin Junger investigates this with Anne-Fay Kops, Ted van Lieshout, Angel-Rose Oedit Doebé, Raymi Sambo, Boris van Berkum, Marian Markelo, Stephan Sanders and Thomas Chatterton Williams.

The life and work of New York artist Jean-Michel Basquiat have been marked by a long quest for identity, by his Haitian and Puerto Rican family origins and by a founding trip to Africa. To portray this major painter of the 20th century, who died in 1988 at only 27 years old, is also to evoke the place of black American artists in the conservative and racist America of the Reagan years.

In doubt after a 3 year relationship, Nicolás, searches in his closest friends the meaning of romantic love. Without a clear idea in sight, he turns to his grandmother.