Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.
Omondi lives in the biggest slum in East Africa. Everyday he sees airplanes fly over him. He dreams of becoming an airline pilot and flying far away.
An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.
Right outside of Moscow – home to the highest number of billionaires pr. capita – you’ll find the largest junkyard in the world: The Svalka. It’s a hard place run by the Russian mafia. And it's where Yula lives with her mother, her friends and many other people. Life is tough in the Svalka, but it’s also a place where beauty and humanity can arise from the most unlikely conditions. It is from this place that Yula dreams of escaping and changing her life, even if it seems impossible. Oscar-nominated director Hanna Polak followed Yula for 14 years, bringing us along on Yula's journey to achieve this dream.
American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.
Documentary about a group of people who live on a waste dump.
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up to something big, so he tells his wife (Carol McCoy) to tell him that he's for sale if Benyon can get him out of prison. Benyon pulls some strings and Doc McCoy is released again. Unfortunately he has to cooperate with the same person that got him to prison.
Amidst the chaos of planning his son's birthday, Sandesh's phone, crucial for an investor call, gets accidentally thrown away. In his quest to retrieve it, he discovers unexpected emotional depths.
When As’ad, a 12-year-old rubbish picker, adopts an American sex doll from the Baghdad dumps, he crosses into a perilous red zone, finding himself caught in the crossfire between abusive forces of commercialism and fundamentalism in a world where defenders of humanism have lost their power. He embraces the courage it takes to not just survive, but live.
Belgrade in 2041 is a deserted city that looks like a dump yard. A few old men try to bring up a group of young girls in the old, traditional way of their Yugoslav ancestors.
Herminia, a woman heavy with children, with her four children in tow witnesses her husband being forcibly taken, tortured, and murdered by henchmen of an unscrupulous, land-grabbing politician due to disputes in land ownership. After being hunted down by these henchmen, they flee their hometown and in the process, Herminia's eldest son and only daughter get separated from them. Herminia and her three boys end up living in the city's slums. 15 years later, each of the boys turns to a life of crime one gets incarcerated for killing his wife, one becomes a robber and kidnapper and the other one becomes a drug dealer.
A young boy and his young sister are playing on a rubbish dump, acting out their parents' divorce. For this they use their father's things which their mother brought to the dumping ground out of anger. The girl only wants to use their fathers things, but the boy finds something that he finds much more interesting.
In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island used as a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy arrives on the island to find his beloved pet.
Told over the space of a day and through the eyes of 11 year old Utah, The Dump is a comedy/drama about a boy and the gradual bond he develops with his estranged dad Orlando, the sole employee at a tiny rubbish dump in rural New Zealand.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.
The first documentary by Wojciech Staroń. He just finished film school, his wife Małgosia just became a teacher. The year is 1997. They decide to go for a year deep into Siberia: she’ll teach Polish, he’ll shoot a film. And this is that beautiful film, narrated in the first person by Małgosia as she meets all sorts of colorful characters and reflects upon reality with her beautiful, monotone voice, seeing the good in people individually and collectively. This is also about her transformation in this travel undertaken in the centuries-old fashion of the observer who, by observing others, observes herself.
In 1998 Wojciech Staroń made the documentary film "The Siberian Lesson". The film told the story of a young teacher who emigrated to the vicinity of Lake Baikal in order to teach Polish deportees’ descendants their native language. Many years later, as a married couple with two children, the director and his wife are leaving for Argentina. For their little son, this trip will not only be an encounter with an unknown language. Influenced by their Argentinian friend, Janek enters the fascinating world of imagination, and is introduced to the bitterness of childhood prematurely contaminated by the problems of grown-ups.