The Bastards

Christian knows what is important in life. At the age of 19, he knows how to be successful. He feels superior to his best friend, a dreamy music student, but also to his lazy brother. Then he meets Maria, who lives in a shack and makes no secret of her chaotic lifestyle.

Six strangers are sitting in a conference room. They’re in a focus group, but how much is there really to say about yoghurt? There’s so much more to discover about each other.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Misty Luggins sets a trap for the Bad Guys, but they were already caught and in custody for another crime; stealing a push pop... allegedly.

Jorge loves his father. His father loves a chicken. Jorge doesn't like the chicken and wants to put it in a chicken coop. Before he can build this chicken coop, Jorge has to obtain a building permit. It's difficult to get one when your garden is in Flanders and you don't speak Flemish.

A juggler in a park opens his magic box and takes out 3 balls. The audience marvels at his dexterity, until one ball escapes. The mutinous ball takes on magical properties as it draws the juggler into a series of adventures with many levels of meaning: appearance, fantasy and love. Without words.

Chris is bringing his résumé to a summer job interview. Dylan is grabbing beers for a party. When the two boy's identical bags get switched, chaos ensues.

Piotr and Alina are 30-year-olds in a big city, trying to make their dreams come true. Alina earns money in a casino so she can work as a director. Piotr works in an alternative radio station, co-organizing aid for the Belarusian opposition. The day of their engagement is supposed to be a joyful meeting of two families and two generations. However, a series of coincidences causes the family celebration to turn into a confrontation of attitudes and views. Do their families have more in common or more in common? Alina and Piotr must decide what is most important to them in life and what their "new way of life" should really look like.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A young man, down on his luck, finds a mysterious bottle. The contents of which can grant him anything he desires.

A lowly young trophy shop employee who has never won anything other than a participation ribbon, is in love with his manager and stages a robbery to try to prove to her that he is in fact "a winner."

A comic morality tale about two cocky young lesbians who bite off more than they can chew at a Texas roadside diner.

As graduation draws closer, a college student finds herself torn between a stable job and her passion and field of study: being a clown.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

Grim desperately needs one more soul to win his work competition, but his last scheduled collection at a rigorous bike race turns his world upside-down. At the finish line, he learns that life is not always about the trophy at the end of the race.

In a frantic race against time, struggling actress Anne must juggle chaos- and a high-maintenance dog named Macy- as a series of mishaps threaten her chance at a career-changing audition.

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

Short film about foster care promoted by TWINSET.

Frankie is a car park attendant at the spectacular Giant’s Causeway in Co. Antrim. His friend Cathy and her husband Paul are in trouble. Nevertheless as Frankie always says, "Something will turn up!"

It's 1987, Kyle has cold feet before his wedding and he's about to stand up to his sister for the first time in his life.