Do Not Split

Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.

Based on Elizabeth Swados’ picture book of the same name, this animated short film charts one woman's struggle with depression.

A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.

The film talks about the rise and fall of the two most influential protagonists in GDR-politics. In succession, over long stretches even together, Ulbricht and Honecker determined the course of the GDR, of course without ever getting out of being a satellite state to the big brother in Moscow. The film looks for the caesura and crucial points in the power game between Ulbricht and Honecker.

Documentary about making cheese in the Netherlands.

Short film about the cathedral in Mainz.

While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.

Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.

Antonio Gracia José (1942-2011), known as “Pierrot,” was a prominent member of the Barcelona art scene, a pioneer in the filmmaking of underground short films and Fantaterror movies, writer and playwright, magazine editor, movie poster painter, cartoonist and cabaret showman.

Documentary covers three tumultuous years in the career of the Southern rock group Drive-By Truckers.

The choreographer Merce Cunningham working with the musician John Cage and the painter Robert Rauschenberg.

Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.

An interview with an UFO whistleblower.

Argentina, 1960: a true crime story of how secret agent Zvi Aharoni hunts down one of the highest-ranking Nazi war criminals on the run.

Shot in a single uncut sequence, Cinema Olanda Film connects an architectural location, a number of individuals, and past and present events through a momentary filmic reality.

The urge to relieve a winter valley of permanent shadow and find gold in alluvial gravel is part of a long history of desire and extraction in the far Canadian north. Cancan dancers, curlers, smelters, former city officials, and a curious cliff-side mirrored disc congregate to form a town portrait. Shot on location in Dawson City, Yukon Territory.

This is a companion piece to the Fall time-lapse. Intended to be the polar opposite of the first one. Not just the Fall vs Spring. But wide shots vs close ups, everything in focus vs shallow depth of field, very cutty vs one shot, contemporary music vs classical, static camera vs moving camera.

Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.

A 1968 animation/documentary that criticises the industrial system. Preserved by the Academy Film Archive.

A look at the horror movies of the 1980's.