The Thin Orange Line

The body of teenager Gloria Hollinger is found dead on a Los Angeles beach, and Lt. Phil Gaines is in charge of the investigation. Gaines learns that the girl, a stripper and prostitute, committed suicide, but he ignores the connection between her and a powerful mob lawyer, Leo Sellers. Hollinger's father, however, is not satisfied with Gaines's results, and attempts to investigate the case on his own.

Angel City trooper Jack Deth is sent back in time from 2247 to 1985 L.A. to inhabit the body of his ancestor. Deth's assignment is to find his archenemy, Whistler, who turns people into zombies, before the fiend is able to kill all the ancestors of the future's governing council.

A dead beauty is found in the trunk. Kubota (Miaki), Okayama (Kawazu) and Tsuji (Funakoshi) begin investigating this mysterious crime at the investigation headquarters. Since the cause of death was poison gas, he asked Yusaku Tominaga (Tsukigata), a now retired drug crime specialist, to cooperate. Kubota and his friends soon find the house of the murdered beauty and upon entering, they are surprised to find another corpse, this time of a man…

A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role...

The president of the Hong Kong Almond Cola company, Liu's grandfather, signed a purchase and sale agreement with Showa Nakajima from Japan, and shortly before leaving for Japan, someone attacked him. Before he died, before he lost consciousness, he transferred all the rights to the company to his close confidant Murota and told him to transfer them to his daughter, whom he left in Japan 20 years ago. Murota, who inherited Liu's will, went to Japan. However, the gang of James Howe, the head of the Hong Kong trading world, was waiting for him, seeking to obtain the rights to Almond Cola…

The inventor Sir Claude Amery wants to give the thief of the formula for his latest invention the chance to return it in the dark without being recognized. He gathers everyone in the house in the library and has the lights switched off for a short time. When the light comes back on, Amery is dead. A case for the Belgian master detective Hercule Poirot.

John Cleese is hilarious as the descendant of Sherlock Holmes in this modern detective drama of international power politics and intrigue. Unlike his illustrious grandfather however, he only succeeds in bungling every job he organizes. Also stars Arthur Lowe as the "bionic" grandson of Dr. Watson, Stratford Johns as the Commissioner of Police, and Connie Booth as Mrs. Hudson.

Agatha Christie’s agents propose that it’s time for her to publish the manuscript she wrote thirty-five years earlier, a novel in which she finally kills off her most famous creation. And it’s not an entirely sad occasion. “That wretched little man,” she says. “He’s always been so much trouble. How is it Miss Marple has never upset me at all, not ever?” That night, who should appear at her doorstep but the wretched little man himself, Hercule Poirot? The great fictional detective and his creator proceed to play a very Christie-like game of cat and mouse for the manuscript – and for their own lives.

In Acapulco, Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The causes seem to be natural until another party with most of the same guests produces another corpse.

Fearing the theft of an important secret formula, the scientist Claude Amory asks for help from Monsieur Préval, director of the Sûreté. But when Amory is mysteriously poisoned inside his own home, the detective realizes the case is more serious than he had imagined and decides to investigate each of the suspects.

A classic mystery story based on the famous novel by Agatha Christie.

Spiritualist Blanche Tyler and her cab-driving boyfriend encounter a pair of serial kidnappers while trailing a missing heir in California.

Actress Jane Wilkinson wants a divorce, but her husband, Lord Edgware, refuses. She convinces Hercule Poirot to use his famed tact and logic to make her case. Lord Edgware turns up murdered, a well-placed knife wound at the base of his neck. It will take the precise Poirot to sort out the lies from the alibis - and find the criminal before another victim dies.

During a murder hunt game at a country house, to which Hercule Poirot is invited as an "expert", a real murder occurs.

Mord im Pfarrhaus

Jane Marple solves the mystery when a local woman is poisoned and a visiting movie star seems to have been the intended victim.

Mr. Fortescue, owner of a big company, unexpectedly dies. The autopsy shows that he has been poisoned. Nobody actually loved him, and even his family members had their reasons to kill him. But who really did it? And who is responsable for killing his young servant and his wife within the next couple of days? Of course the only person who can answer this question is Ms. Marple. And of course, the murderer is the person you least expected it to be.

Aging Major Palgrave, an idiosyncratic but charming mystery writer, reveals to Miss Jane Marple that one of the guests at a luxurious Caribbean resort they're staying at is a Bluebeard-type wife murderer. Unfortunately, the Major succumbs to an apparently accidental overdose of alcohol and blood pressure medication before revealing the killer's identity. When it's discovered that the medicine belonged to another guest and the revealing photograph the Major was carrying is missing, Miss Marple realizes that the serial killer has struck again and more murders will follow.

Lionel Twain invites the world's five greatest detectives to a 'dinner and murder'. Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities and more plot turns and twists than are decently allowed.

Through the narrative of a fictional political crime during the Years of Lead, Despite the Facts investigates the interplay between fiction and documentary. Structured around a fictionalized interview with a real former member of the Italian extra-parliamentary radical left, the work highlights the subtle boundary between fiction, reality, and a constructivist approach to history. The piece employs both the language of documentary as well as cinematic language, probing how narratives are constructed and showing that the “fact” itself is ultimately inaccessible, existing only as a construction. The project was conceived for both single- and two-channel formats, comprising a single-channel screening version and a two-channel installation version. The project was realised with the support of Injuve (Spanish Government), Community of Madrid, Cripta747 (Turin), and Torino Film Commission.