A TV special celebrating the 15th anniversary of Saturday Night Live. Before a celebrity audience, many of the former cast members and guest hosts return to perform their signature monologues and present a look back at some of the best comedy skits and musical numbers of the past 15 years.
Le Tombeur
A TV Special consisting of various sketches with the titular comedian and fellow comics in guest appearances.
The film tells the story of Ariel, a 21-year-old who decides to form a rock band to compete for a prize of ten thousand dollars in a musical band contest, this as a last option when trying to get money to save their relationship and reunite with his ex-girlfriend, which breaks due to the trip she must make to Finland for an internship. Ariel with her friend Ortega, decides to make a casting to find the other members of the band, although they do not know nothing about music, thus forming a band with members that have diverse and opposite personalities.
Jarry au Dôme de Paris
Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."
It's fun to give up and admit that things were better in the past. At least, that's what Henrik Schyffert thinks. The bully from the Killing Gang has gray temples and has started to reflect on the history of his generation. Why did things turn out the way they did? Henrik Schyffert is here to give us some perspective. In a tender but funny monologue, he stands up for himself and his mission to reclaim the 90s!
Since 2021, Paul Mirabel has been touring across France to share his first show. So nonchalant that he provokes laughter from the audience just by moving toward a water bottle, Paul performs with the sincerity of a dreamy guy who doesn’t denounce or demand anything, but brilliantly highlights the absurdities of everyday life that no one pays attention to anymore.
Chris Elliot plays FDR in his live "One Man Show" about the life and times of the president, however, he looks and sounds nothing like the man and he re-enacts events from Roosevelt's life that never happened.
Dieudonné - Asu Zoa
Poetry lovers, defenders of good taste, dear hunters... you are here at home! Find Benoit Poelvorde at the top of his madness in the complete "Carnets de Mr Manatane". More than 7 hours of knowing how to live (or die) by Mr Manatane!
Novi Project
Through outrageous, never-before-seen footage, witness the making of the Jackass crew's last go at wild stunts.
Blanche offers us her new stand-up, creation 2018. She spares no one. Not even her own guts, which she still delivers to us smoking on the altar of self-derision.
Le Professeur Rollin se re-rebiffe
Before he was Happy Gilmore, Little Nicky, The Waterboy, or Billy Madison, Adam Sandler was doing Saturday Night Live playing hilarious characters and singing hilarious songs like the Hanukkah song and Christmas song. Watch Adam act in his own star studded way as Canteen Boy, Cajun Man, Opera Man, and much more!
Quebecois comedy star Martin Matte serves up embarrassing personal stories, a solution for social media trolls and more in this unpredictable special.
He's gone-but he'll never be forgotten. The best of Chris Farley's wildly funny SNL performances are here, including motivational speaker Matt Foley, an aspiring Chippendales dancer, the bashful host of The Chris Farley Show ( m 'member?") and more.
George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.
A pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).