Vom Fröschlein und seinem Reifen

Pojar’s wickedly humourous satire pokes gentle fun at a speechmaker so enamoured with the sound of his own voice, he is oblivious to the effect he is having on his audience. Pojar details their bafflement, fidgets, whispers and snores with great imagination.

A cold dinner is a dish with bad news. Today it will be more disgusting and destructive than yesterday; and tomorrow will not come at all.

This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.

An old circus clown has an unpleasant problem-even when he washes off his clown makeup, he still has a big red smile.

He’s full of juicy flavours. You’ll never get enough, if you let him give you... Just. One. Puff. It's a new era and no one is scared of the boogeyman anymore. Unfortunately something much, much worse is hidden under the bed.

The scissors cut out a little man with huge boxing gloves from black paper. The boy comes to life and is immediately convinced of his punching power. So he grabs the scissors himself and cuts out a huge opponent to demonstrate his strength. He makes a complete fool of himself in the process. It doesn't help that he cuts his opponent smaller and smaller and finally even sticks him down with glue. Although he adorns himself with the laurels of victory at the end, it is clear that he is just a ridiculous paper hero.

ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.

Suicidal poet Archy tries to end his life by jumping off a bridge, but awakens to find he has assumed the life of a cockroach and has become a part of a community of creatures living in a newspaper office. He also discovers that he can still write poetry, using a typewriter, and begins to enjoy his new life. Archy develops deep feelings for the lovely but self-destructive cat Mehitabel, but will have to fight to win her from bad-boy tomcat Bill.

An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.

A girl named Patchwork and the real cloud fight the evil king Fontanius I and his treacherous subordinates.

An unapologetic take on the vicious cycle of earning too little and consuming too much.

Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.

Based on a poem by Samuil Marshak about an incredibly absent-minded man from Leningrad.

Walking down the street or sitting on a commuter train, few of us can resist the siren song of that small, illuminated device in our pockets. Through a carefully choreographed collision of hand-made sculptural collages and ink and paint animation, In the Shallows, by first-time NFB filmmaker Arash Akhgari, takes us on a deep dive into the shallow and fragmented world of news, entertainment and ads, where we can easily drown in the dangerous allure of mass media intoxication.

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

A nostalgia trip in the enigmatic labyrinth of the passed childhood.

We aren't only created with free will, but also with responsibility. The responsibility to listen to our gut feelings, follow our intuition, the wise part of us. According to the old definition, a magician is a wise person. So we can all be magicians if we are brave enough.

Edge of Alchemy is the third film in a trilogy examining the psychological terrain of women's inner worlds. In this handmade film, assembled from over 6,000 collages, the actors Mary Pickford and Janet Gaynor are lifted from their early silent features and cast into a surreal epic with an unending of the Frankenstein story and contemporary undercurrents of hive collapse.

Documentary on industrial lubrification.

Pinocchio e il grillo