Vom Fröschlein und seinem Reifen

After her grandmother's death, a grieving young woman tries to bake a family recipe, but when things go wrong, the dough magically comes to life to help her heal.

Inspired by the poem Hamza by the great Palestinian poet Fadwa Tuqan, compares and connects the mystery of the fertility of the Palestinian land to the mysterious power of it's women.

Documentary on industrial lubrification.

A nostalgia trip in the enigmatic labyrinth of the passed childhood.

This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

The scissors cut out a little man with huge boxing gloves from black paper. The boy comes to life and is immediately convinced of his punching power. So he grabs the scissors himself and cuts out a huge opponent to demonstrate his strength. He makes a complete fool of himself in the process. It doesn't help that he cuts his opponent smaller and smaller and finally even sticks him down with glue. Although he adorns himself with the laurels of victory at the end, it is clear that he is just a ridiculous paper hero.

A young Chinese woman grapples with the guilt of using the identity of a deceased girl to immigrate to the United States via Angel Island in 1926.

In 1862, a grieving Abraham Lincoln visits his son Willie's grave, sparking a supernatural moment where ghosts in the "bardo" must help the boy move on before he is trapped forever.

Simple artistic structures, including dots and moving lines, create a story.

We aren't only created with free will, but also with responsibility. The responsibility to listen to our gut feelings, follow our intuition, the wise part of us. According to the old definition, a magician is a wise person. So we can all be magicians if we are brave enough.

This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.

Sir John Lubbock’s true story and his scientific writings on Ants, Bees & Wasps stood out as contemporary for the co-directors, Osbert Parker & Laurue Hill who worked in collaboration. Themes of cultural displacement, civilisations and environmental concerns were found in their interpretation of Lubbock’s story still relevant today. A diverse range of techniques from, stop-motion, 2D cut-out’s and digital animation is combined to tell a bizarre and beautiful love story with a sting in its tale.

Animated story of a sad magician

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

A boy, along with his companion, explores a secret passage.

At midnight, two elves help a pair of shoemakers in distress by making shoes. They make it a condition that they are not watched. When the cobblers do it anyway and then send them the matching clothes, they stop working but continue to help the cobblers.

Three surreal depictions of failures of communication that occur on all levels of human society.

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator's flat.