Yolsuzlar

A travelling theatre company has more to it than meets the eye. It is an imaginary world commanded by the mind of Doctor Parnassus and the audience is in for more than just a show.

Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.

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Overcoming bullies and his own loser mentality, 10-year-old Bernie Dingledorf must destroy Dr. Chuckles’s diabolical Laugh Generator before it sends the world into uncontrollable fits of laughter.

Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.

Pete is no stranger to success, delivering hit series as a musician in a rock group. When he parts ways with his band and produces his first solo LP, he learns for the first time what a flop means. He did not expect this. He is insecure and desperate, while Lena, his wife, accepts this low blow as a challenge. Jealously, Pete observes that Lena is becoming more and more independent and self-confident in her surroundings. At home there are arguments until everyone packs his bags. Alone with his longing and tenderness for Lena, Pete composes the "Bolero" on his white grand piano that calls her back.

Casper befriends a bear cub with a natural talent for juggling. Soon the cub is in the circus, but a gorilla proves to be much scarier than any ghost.

Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.

Au revoir parapluie

Everyday Is Like Sunday is a comedy/drama aiming the lens at post-collegiate characters stuck between their imminently-ending youth and impending adulthood. The film follows Mark, Jason, and Flora, as they realistically attempt to pull themselves out of economic and emotional doldrums.

La veillée des abysses

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

When Polly Fisher, a circus aerialist, is hurt while performing, she is taken to the house of a nearby minister, John Hartley. As she recuperates, they fall in love with each other and secretly marry. But when the truth leaks out , John's congregation rebels at having a circus woman as their minister's wife, and he is fired. Polly decides to leave John in hopes of giving back to him the calling that means so much to him. But fate steps in and rearranges all plans.

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.

In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.

Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.

Ну, погоди! Выпуск 12

A circus side show performer tries to discourage her younger sister from following in her footsteps.

Shipwrecked African-American slaves arrive in the midst of Bakumatsu-era Japan; they soon carve out a niche in the market with their musical talents.

It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.