In his short lifetime, J Dilla was a musician, producer and visionary who profoundly influenced rap and hip-hop. Given how prolific he was in his 32 years, why didn't his accolades come sooner?
Featuring exclusive interviews with survivors, paramedics and festival staff, this documentary examines the 2021 Astroworld tragedy and its aftermath.
In The FADER's doc Right Here Is Home, JPEGMAFIA revisits one of the first places he connected with a creative community, The Bell Foundry in Baltimore, and explains how the city's collective fight against police brutality helped foster his early forays into music. He then gets into how there really wasn't a backup plan after music, despite his journalism degree. And to show the electric energy in his live shows, the doc ends with a sold out show at Baltimore's Metro Gallery featuring himself as the DJ.
A group of underground rap scene kids from South Florida work together to try to become famous rappers but struggle internally with personal issues regarding home life, growing up and their relationship as a group.
New York City, 1977 - It was a time when the city had fallen into decay, with too few jobs, money, police, schools, and social services. There was a city wide blackout with major looting, a serial killer on the loose, and the Bronx was burning. And yet out of the chaos emerged one of the most creative times any city has ever encountered.
The "Beat Kings" is the first documentary exploring the original architects of hip hop; "The Producers". For over three decades, beat makers have built hip hop's foundation, constructing the beats behind the rhymes. For the first time, 20 influential producers tell the history of creating hip hop's most definitive records.
In the late 1990s, DJ Set Free, had the idea to set some streetball highlights to a soundtrack of emerging rap music. The results culminated in the And1 Mixtape, a series of VHS tapes that forever transformed the game of basketball.
In 2005, to commemorate the tenth anniversary of the "Cut Killer Show" aired on Nova and Skyrock, Cut Killer released a DVD bearing the same name as his radio show. This DVD comprises an hour and a half of content dedicated to hip-hop. The "Cut Killer Show" DVD features a unique documentary on the history of French hip-hop, exploring facets such as radio, DJing, and the artists involved, providing a retrospective of the ten years of the "Cut Killer Show" program.
A short film to accompany Molly Santana's second studio album.
Thirty years after recording "Rapper's Delight," Master Gee & Wonder Mike come back to reclaim their identities and rightful place in Hip Hop history.
USHER's incorporates the essence of his landmark cultural phenomenon Vegas residencies into a seductive French touch confession. Captured during Paris Fashion week at La Seine Musicale, USHER performs some of his biggest hits from his 30-year career with never-before-seen costumes and state-of-the-art lighting and special effects.
The documentary tracks the making of Reasonable Doubt, Hova's rise to stardom, and the legacy of the iconic album. Directed by Scheme Engine, the doc is broken up into segments named for the album's tracks ("Brooklyn's Finest," "Can't Knock The Hustle," "Politics As Usual" "Friend or Foe," "Dead Presidents II"). The film features interviews from members of the Reasonable Doubt production team (DJ Clark Kent, DJ Premier, Ski) as well as album cover photographer Jonathan Mannion, Reasonable Doubt guest artist Memphis Bleek, and Roc-a-Fella co-founder Kareem "Biggs" Burke. Lest you think the doc will be exclusively talking heads, the film also features footage of Jay Z performing tracks off the album in a studio and at Barclays Center.
Lisa 'Left Eye' Lopes was the hip-hop voice of TLC, the best selling female R&B group of all time. On March 30th, 2002, Lisa decided to document her life. She filmed at a mysterious spiritual retreat deep in the jungles of Honduras, but 26 days later, after a tragic accident, she was dead and her unedited tapes were left behind. Last Days of Left Eye is the re-imagining of the film Lisa never got to complete. Revealing private moments from Lisa's journals and home movies, along with highlights from her celebrated career, this film is an intimate journey into the soul of a talented and still provocative young artist.
Between the Asphalt and the Cloud. Rappers face the challenge of staying true to their roots while trying to stand out in the digital universe. The internet promises freedom, but hides traps for those who dream of living off rhythm and rhyme. A raw portrait of the struggle between tradition and technology in the peripheral hip-hop scene.
May the Lord Watch follows the rise, breakup, and reunion of Little Brother, detailing the vast impact of the preeminent 2000’s rap group.
A smoke-filled journey across the lives and the careers of the groundbreaking, genre-defying Hip Hop group, Cypress Hill. Their unique sound, influenced by their Latin roots and West Coast upbringing, was built on a movement rooted in true authenticity: from cultivating the flower, to smoking it, to rapping about it, their influence is forever burned into the musical landscape of Hip Hop as they continue to stay relevant after 30 years.
Hip-hop group BROCKHAMPTON perform tracks from their sixth studio album ROADRUNNER: NEW LIGHT, NEW MACHINE.
One day, Genjiro invades an art school and destroys the equipment, and at the invitation of Kano, a girl who devotes himself to the dance he meets there, he decides to practice hip-hop duet dance. For the first time in his life, he graduated from the yankee and started working towards a group dance announcement with his rivals with his fists.
An inside look as the 38-year-old prepares to perform at the famed Bridgestone Arena in his hometown of Nashville, featuring never-before-seen tour footage and interviews with the musician and those closest to him. It also shows how Jelly Roll balances life on tour with philanthropic work, including a visit to a juvenile detention facility where he was incarcerated multiple times to share his story in the hopes of inspiring positive change in others.
We Came to Heal” follows H.O.L.L.A!’s Healing Justice Movement - over a three years period capturing Healing Justice circles, the Healing Justice Summits and H.O.L.L.A!’ s human healing-centered praxis led by The Youth Organizing Collective (Y.O.C). We believe to move towards healing you need to create a space to build, to grow, and share our stories. Alone we are strong spirited, but together we are unstoppable in the fight to end all forms of violence in our Nation, our families and all relationships.