Selkie

What do you get when you cross a retired dragon deity and a sailor? A disaster, a wrecked ship, and a hungry crew stranded on the shores of Singapura.

A stuffy businessman finds himself trapped inside the body of his family's cat.

The continuing adventures of a Norwegian folk legend about a woman with a tale that comes to life.

During a moonlit night, Sine vanishes after childbirth, leaving her husband Magnus devastated. A haunting exploration of Sine's past, unearths the traumatic events that connected her to the selkie realm - a world of mythical creatures who transform from seals into humans by shedding their skins. This poignant journey delves into the profound ties between folklore and the human experience.

This legend from West Java is told thus: In heaven, among the gods, Minda's teacher, who later became Lutung Kasarung, was penned by his own mother, Sunan Ambu, for wanting to be a human being and a wife as beautiful as her mother. So he turned into a langur. He will turn into a human again when he later meets a woman who loves him.

When all the earth's fire begins to go out, Hercules and Deianeira must go in search for fire to stop the world from cold. "Hercules and the Circle of Fire" is the third movie-length pilot episode of the television series "Hercules: The Legendary Journeys".

Hercules comes to the aid of a young woman who is seeking the lost city of Troy. Eventually, Hercules leads her to a camp of refugees from the city, which has been taken over by Hera's Blue Priests. Hercules helps the refugees take back the city. "Hercules and the Lost Kingdom" is the second movie-length pilot episode of the television series "Hercules: The Legendary Journeys".

When villagers begin disappearing it is discovered that they had fallen through a crack in the earth which goes straight to Hades. Hercules once again comes to the rescue and faces one of his most difficult challenges, and must prove himself as a man as well as a god. "Hercules in the Underworld" is the fourth made for TV movie in the series Hercules: The Legendary Journeys.

The big-budget, epic film on young King David who took on the mighty warrior Goliath against all odds.

How Death Came to Earth is a 14 minute cutout animation film by Ishu Patel produced in 1971 by the National Film Board of Canada. The film deals with an Indian myth of creation, and is notable for its trippy visual style.

In Ayodhya, the royal palace of Kosala Kingdom in Ancient India, four princes were born to three queens, each of whom grew to great stature. Banished for 14 years due to court intrigue, Prince Rama retreated to the forest with his beautiful wife Sita. When Rama vanquishes the demons of the forest, he invites the wrath of the demon king Ravana, who kidnaps Sita. Based on the Indian epic the Ramayana.

The plot involves the coming of Lucifer to the Sanctuary, where his underlings systematically dispose of the surviving Gold Saints. Athena goes to Lucifer to ask for peace, placing herself in peril. The Bronze Saints must then come to her rescue, destroying Lucifer's Fallen Angels (Seima Tenshi in Japanese) in the process.

When Seiya, Hyōga and Shun visit Saori (Athena) at the orphanage, they meet an employee called Eri. An orphan herself, Eri takes a liking to Hyōga and one night they sit outside watching the stars. They see a shooting star and Hyōga asks Eri to make a wish. After Hyōga leaves, however, Eri becomes powerfully attracted to the shooting star and wanders alone into the woods, where she finds a golden apple. She is then possessed by Eris, the Goddess of Discord, and kidnaps Athena, planning to use the golden apple to suck her energy out, fully reincarnate and take over the world. Eris leaves a message for the Bronze Saints, who set out for the goddess's temple which appears on the mountains. There, the heroes fight the five Ghost Saints: Maya of Sagitta, Orpheus of Lyra, Christ of the Southern Cross, Jan of Scutum (called by the Japanese name Tateza) and Jäger of Orion.

In Siberia, Hyōga saves a man that is being attacked. Injured, the man manages only to say something about Asgard. Some days later, Saori, Seiya, Shiryū and Shun are wondering about Hyōga and decide to go to Asgard to investigate. At Valhalla, the Lord of Asgard, Dolbar, says he has not heard of any Hyōga and neither has his right hand, Loki. However, at all times Seiya and the others can feel an evil cosmo emanating from Loki and the other Odin Saints called God Warriors. Shiryū, in particular, notices a familiar cosmo coming from Midgard, a mysterious, masked God Warrior. Dolbar makes it clear that he is trying to take control of both Asgard and the Sanctuary, imprisoning Athena in a strange dimension within the giant statue of Odin. Midgard reveals himself as Hyōga and tries to kill Shiryū to prove himself to Dolbar. Thus, it is the task of the Bronze Saints to defeat Dolbar, Loki and the rest of the God Warriors, to save Athena and Hyōga.

Sindbad Alibaba and Aladdin

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

Fantasy adventure depicting the famous Eight Immortals of Taoist mythology.

Based on the Hindu mythological story of Prahlada and his devotion to the god Maha Vishnu.

Ruyi village people burned the forest and the fields, exhausted and fished, and the river god was sent to punish. I don’t know the Jiangzi tooth in the house, I mistakenly thought that the river god privately slaughtered the people, so he suppressed it and accidentally injured the villagers during the battle. Unexpectedly, this was in violation of the immortal rules. Jiang Ziya was punished for being bombarded by Tianlei for fifteen days.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.