Kucch Luv Jaisaa

The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

A young orphan boy working as a tank cleaner is trapped in a water tank by someone. He struggles for his life for four days in this tank full of water.

Badrinath is looking for a typical bride; Vaidehi is looking for an independent life. Together they must break with tradition and redefine their role

Firaaq is an Urdu word that means both separation and quest. The film is a work of fiction, based on a thousand stories. The story is set over a 24-hour period, one month after a campaign that took place in Gujarat, India, in 2002. It traces the emotional journey of ordinary people- some who were victims, some perpetrators and some who choose to watch silently.

Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.

A woman secretly gives birth to a child after being raped by her boss and hides the truth from her husband.

The human drama is based on an interesting premise of a seasoned character actor who decides to come out of retirement and begin a quest for a record of some sorts, that elusive 500th role, the one for which he shall be remembered forever.

The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.

The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.

A woman threatens to leave her husband unless he installs a toilet in their home. To win back her love and respect, he heads out on a journey to fight against the backward society.

The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.

Set in the city of Mumbai, The Dark Side of Life: Mumbai City is a multi-plotted story which revolves around the lives of seven individuals who are pushed to the brink of depression while battling their emotional and financial problems. Will they fight through it or will they succumb to their circumstances?

When professional ambitions clash with personal feelings for a modern-day couple, a love story from a bygone era may offer some wisdom.

Lucknow based Mithilesh Shukla, is a regular, nondescript sort of a guy, who has washed his hands off marriage, until his nagging mom and her concerned brother get him to see Veena as a prospective bride. Veena is beautiful, cultured, educated and pretty much everything Mithilesh wants. She is also leggy, a good 6" taller than our hero. This doesn't concern him too much, until he overhears people talk and laugh at his relative lack of stature/looks. Everyday situations, such as driving a scooter, with a tall wife towering from the back-seat, or a fawning doodh-wala (milk-man) delivering milk, become a nagging headache for the insecure Mithilesh. More problems crop up when Veena's good college friend, the TALL, worldly, smart Akash moves into the flat next door, and jealousy consumes Mithilesh, leading him into a quagmire of problems, which threaten to rip apart his life.

A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.

Widower Amar is well-off financially and lives in a house with his daughter and servant Dayal. His sister and brother-in-law want him to marry again so that his daughter can have the love and care of a woman. Amar reluctantly agrees. Together they set out to check out two sisters, Shobha, and Sheela. Amar goes as Dayal, and Dayal goes as Amar, as Amar is not sure if a step-mother will be able to bestow care and love as a real mother. They arrive at the household of Durga, Shanti Swarup, Renu, Sheela, and their servant Geeta. They begin to settle down, Dayal in a spacious room, and Amar in the servant's quarters, which consists of an untidy room with no electricity. It is not long before Amar finds out that he is attracted to Geeta, and not to the two sisters, but in his present state, he cannot reveal himself and openly propose marriage. In the meantime, Durga starts getting suspicious about Amar and starts wondering if Amar is actually a servant or a crook.

Sidharth (Aamir Khan), is a Mumbai 'Tapori' and a boxing champion. His elder brother, Jai (Rajat Kapoor) works with Raunak Singh (Sharad Saxena), who now rules their "Basti" through terrorising its people and collecting 'Hafta' from local merchants. Sidharth idolized his father, a freedom fighter, whom he saw falling to his death as a child. This effects Sidharth through his adult life. Sidharth meets a young girl, Alisha (Ranee Mukherjee), who rides with a motorcycle gang and Charlie (Deepak Tijori), the gang leader. Sidharth also meets Hari, whose idealism reminds him of his father. Hari's social work in the community possess a threat to Raunak Singh's evil empire. What happens to Hari changes Sidharth's life forever. How Sidharth breaks Raunak Singh's chains of 'Ghulami' around the community forms the crux of the story. Featuring the superhit song "Aati Kya Khandala" sung by Aamir Khan.

Swati Azad and Mridula are two inseparable friends in college. After successfully completing their college, they get married to Ajay Lal and Milind Khanna respectively. Four years later, Prasad Saxena, another former collegian meets with a pregnant Mridula and informs her that Swati has committed suicide as she had lost her sanity. However, he suspects that she was actually killed by the Lal family. Mridula gets hold of Swati’s diary, reads it, and concludes that the Lal family did kill Swati. She has the case reopened, files various documents in Court, and has the Lals, Ajay and his dad, Hasmukh, charged under section 302 and 34 of the Indian Penal Code. It is here that Mridula will find out that she has opened up a virtual Pandora’s box, for the lawyer representing the Lals is none other than Deepak Khanna, her father-in-law. When Milind finds out he accuses Mridula of trying to disrupt the Khanna family life and tells her that she is losing her sanity.

Fathers & Sons is a comedic exploration of a group of men and their relationships with their fathers. A middle-aged Jewish man meets his father for the first time at the funeral of his mother. A south-Asian accountant introduces his white fiance to his father - a gay, Bollywood choreographer. A recently bankrupted Wall-Street broker has come home to borrow money from his music teacher father, and four brothers gather at the paternal home to pay their last respects and to collect their inheritance.

Vikas, the son of a successful lawyer, disagrees with his father over his choice for his life partner; and marries his girlfriend Aarti. They enjoy the bliss of marriage, breaking away from the custom of staying with his widower father. Returning home from a date, they encounter a traumatic incident that makes headline news. This incident changes their lives forever. The trauma keeps intruding into their day to day lives. When Aarti's mother leaves town to take up a new job, the pressure on Aarti and Vikas brings them into the abyss of despair. Can they crawl out of self-hate and emotional estrangement and rekindle their love?