Euskal Harriaren ABDak

Compilation of the four short films in the Extraneous Matter series.

Watch as everyday people go from their safe, simple lives into a realm of the supernatural.

Introducing Hellarious: a once-in-a-lifetime feature collection that brings together seven of the most legendary horror comedy shorts ever made. The stories, from some of the world’s best genre filmmakers, feature a hilarious menagerie of zombie wives, amateur satanists, reverse werewolves, cannibal lunch ladies and more -- along with gust-busting gags, gross-outs and gore. Included in Hellarious: Lunch Ladies by Clarissa Jacobson and J.M. Logan, Horrific by Robert Boocheck (ABCs of Death 2), Death Metal by Chris McInroy, Born Again and ‘Til Death by Jason Tostevin and Randall Greenland, Killer Kart by James Feeney, and Bitten by Sarah K. Reimers.

After a new cannery introduces scientifically augmented salmon to a seaside town in the Pacific Northwest, a species of mysterious, mutated sea creatures begin killing the men and raping the women.

A idyllic, small, self-sufficient community. On the surface, it seems like the perfect neighborhood. Everything you could possibly need is within walking distance. But...the pastoral exterior conceals a dark past and an even darker secret. As a group of individuals-each with their own ties and agendas with the town and each other-converges on the enclave, strange things begin to happen. Very strange things. Strange enough to test- and then break-the very fabric of reality itself.

Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Through his frustrations, an obsessed novelist connects with a dimension where a walking girl encounters weird characters in a mysterious urban world, slowly driving to the peaceful nature of the desert. In this trip between light and shadow, hope for finding an inner mental peace will prevail. This movie is characterized for an experimental language, with purposed technical and performing imperfections, wrapped in an organic fantasy effect.

Professional photographer Jamie's quantum physicist boyfriend Isaac has gone missing, and is presumed dead. Haunted by his disappearance while attempting to continue with life as normal, Jamie gets more and more wrapped up in figuring out exactly what happened, and is convinced that his disappearance has something to do with Isaac’s research into parallel dimensions. She continues to pursue him until she collides with a shattering revelation.

A botched store robbery places Wonder Woman in a global battle against a powerful and mysterious ancient force that puts her powers in jeopardy.

Based on the novel of the same name by Oleksandr Dovzhenko. About the childhood of the famous Ukrainian film director Oleksandr Dovzhenko, who was born on the ancient lands of Chernihiv, along the banks the Desna. The film consists of two parts. The first is the world shown through the impressions of the six-year-old Sashko. The second is the recollections and reasoning of Sashko, now an elderly colonel who liberates his native village during the war.

The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design.

A heroic version of Lex Luthor from an alternate universe appears to recruit the Justice League to help save his Earth from the Crime Syndicate, an evil version of the League. What ensues is the ultimate battle of good versus evil in a war that threatens both planets and, through a devious plan launched by Batman's counterpart Owlman, puts the balance of all existence in peril.

Paul is agonising over his interpretation of 'Uncle Vanya' and, paralysed by anxiety, stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by extracting souls. He enlists their services—only to discover that his soul is the shape and size of a chickpea.

Five-year-old Vitka and her teenage cousin Larysa both yearn for a life beyond the archaic rules and restricting confines of their small, godforsaken Ukrainian village. Despite her family's staunch objections, Larysa falls wildly in love with Scar, a handsome ex-convict. Hoping to leave their troubled past behind, the two plot their escape. Scar agrees to take on a criminal job in the city. Larysa, meanwhile, fends off an arranged marriage and awaits his return.

In the midst of a global epidemic, Annie finds herself the sole carer of her eight-year-old nephew, but he has questions only a mother can answer.

A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird.

A married couple accept the invitation of mysterious vixen Diane LeFanu to visit her in her secluded desert estate. Tensions arise when the couple, unaware at first that Diane is a centuries-old vampire, realize that they are both objects of the pale temptress' seductions.

A painter of morbid art, who becomes a murderous vampire by night and kills young women, attempts a daytime relationship with a woman who resembles a former love and is also the sister of one of his victims.

In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.