The Reservation

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.

Cactus Amnesia

Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

Kuk-hee, a by-the-book district office civil servant, has lived a flawless, tightly scheduled life. With a promotion imminent and her daughter's future secured, everything is going according to plan. Until it all unravels—her promotion is taken, her daughter disappears, and an unexpected emptiness sets in. Searching for balance again, Kuk-hee ends up in the last place she ever expected: a flamenco dance studio.

A Yakshagana actor who mainly does female roles is faced with his own sexuality and societies outlook.

A man has a life-changing encounter with an otherworldly ice cream truck.

Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.

Alma

Documentary on the great American Ballerina Wendy Whelan

(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).

The Ultimate Dance Party.

A short film about the first Bomba Ancestral returning to the ocean at sunset. Organized by Sheila Osorio and Samuel Lind in Loíza, Puerto Rico where the river meets the sea. We gathered on the beach. The moon was full and we could feel the connection to the four elements. The FIRE that purifies, WATER, AIR and EARTH. Honoring all of our ancestors from whom we inherited this beautiful dance of Bomba.

Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.

Suzuki Shizuka is an office lady at a conglomerate who is hypnotized at a local amusement park and left under the spell. Now she is compelled to sing and dance whenever she hears any melody whatsoever. She heads back to the hypnotist for relief, but he is nowhere to be found. So Shizuka sets off on a journey around Japan to find him and break the spell.

The film considers what it means to be free to move, not as in leave or flee, but to move. It explores the ability of the environments we live in – especially cities – to create the space people need to move. Shot in Freetown, Sierra Leone, it explores the power of the creative sectors in the city and their immense potential.

Im nächsten Leben

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.

A collaboration between Man Ray and Henri Chomette,, half-brother of the filmmaker René Clair.