Düsseldorf Blackbox

Edgar impulsively invites his boss, Mr. Markham, to his home for dinner when his boss compliments him for giving coffee money to a down and out man. At the train station Edgar intervenes, keeping another man from beating a young man named Frankie, and Edgar takes Frankie home with him, even though the stranger warns Edgar that the young man is nothing but trouble.

Edward G. Robinson talks to the audience about the history of gangster films and introduces his latest vehicle.

An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.

The majority of the story occurs in the office of Dr. Harper, a psychiatrist, where a man named Lester Billings talks to the doctor about the "murders" of his three young children.

This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.

With the spectre of COVID-19 looming, the old ways of waking and burying the dead are fractured and desolate in this curious tale of two bachelor brothers, Pádraig and Éamonn, from Achill Island, living and dying under the shadow of the Coronavirus.

Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.

In a new, predatory ice age, two brothers search for a place to call home.

M.A.M.O.N. (Monitor Against Mexicans Over Nationwide) is a satirical fantasy sci-fi short film that explores with black humor and lots of VFX the outrageous consequences of Donald Trump´s plan of banning immigration and building an enormous wall on the Mexico - US border.

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

'Lost Boy' is an ambitious sci-fi concept heavily influenced by the American action classics and Japanese samurai films. It instantly captures viewers with its highly visual and unparalleled sci-fi world.

Shila met Carlo one night, on a bus. Shila is a collector. She collects stories of scars. Shila is always longing for the existence of a wound. This is a trip Carlo can never forget.

"The Cailleach was dependent on this one thing... every hundred years she must get back to the water and immerse herself so that she might become young again." This film is an interpretation of fragments of the ancient myth of the "cailleach", old hag, otherworld female, mother earth, sovereignty queen, or witch. Told using a large scale puppet and actors moving through real landscape.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.

Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring--but on separate paths. Their destinies lie at two towers--Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.

As armies mass for a final battle that will decide the fate of the world--and powerful, ancient forces of Light and Dark compete to determine the outcome--one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.​

1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.