Lucrezia Borgia

The incredible story of Lucrezia Borgia (1480-1519), daughter of Pope Alexander VI (1431-1503), deliberately used politically by her powerful family and historically slandered as a poisoner and incestuous femme fatale. But who was the real Lucrezia?

In the early 16th century, Italy is ruled by the powerful Borgia family, led by César Borgia and his sister Lucrèce. In a ruthless power play, César plots to have his sister’s husband murdered. But without her brother’s knowledge, Lucrèce has taken a strong lover who will challenge the Borgias.

In 1500, Duke Cesare Borgia hopes to marry his sister to the heir apparent of Ferrara, which impedes his conquest of central Italy. On this delicate mission he sends Andrea Orsini, his sister's lover and nearly as unscrupulous as himself. En route, Orsini meets Camilla Verano, wife of the count of Citta' del Monte, and sentiment threatens to turn him against his deadly master, whom no one betrays twice...

Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.

The tiny independent duchy of Ferrara is located between Casare Borgia's Rome and Venice, and Borgia has plans to conquer Venice via Ferrara. He murders his sister's husband and makes it appear that Alfonso D'Este of Ferrara was behind the killing. To avenge herself against Ferrara and D'Este, Lucretia Borgia marries D'Este and intends to poison him. But...she falls in love with him.

This loose adaptation of the Victor Hugo classic shifts the story to Italy and back in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. Also, Gwynplaine is renamed Angelo (Jean Sorel) with his disfigurement represented by a single broad slash across his mouth, crude yet convincing. The story (not credited to Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias.

A playwright descended from the Borgia family becomes a murder suspect.

Lucrèce Borgia, une femme au Vatican

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