In 1830s France, pianist/composer Frédéric Chopin is pursued romantically by the determined, individualistic woman who uses the name George Sand.
Two women named Mary -- both recently sexually assaulted by the same man -- meet at the police station and enter into the world that victims of assault have to endure, guided by a police constable and his colleague. As the action unfolds, it is commented on by the Furies -- a chorus of murdered women seen and heard only by the viewer. Flashes of wit and humour temper a dark and difficult subject.
A teenager becomes overwhelmed with guilt after her lies to support a friend's claim of sexual assault lead to the accused teacher's suicide.
Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.
Penny is in her mid-twenties. For years she has suffered from the sexual assaults of her father, who is now beginning to take an interest in her younger sister. She tries to convince her mother and sister of her situation as an incest victim, but they just ignore her. The father tries to keep his secret by isolating Penny, but eventually she is old enough and confident enough to break free, though not without the emotional scars of years of abuse.
Spending every evening in a new and mysterious stranger’s bed, capricious transient Nore agrees to move into a spare room eagerly offered to her by Jonna, a reserved medical student. Against the odds, this unlikely pair finds solace in each other and fall into an intoxicating pattern of partying hard at night with the local men vying for their attention. As their relationship intensifies, Nore’s troubled past comes to light and threatens to dismantle the blissfully ignorant, inexplicably jubilant lifestyle they’ve built together in this “candy-colored, flamboyant and deeply personal film.” (Variety)
A washed-up filmmaker gets a second chance at stardom when he discovers stunning peasant Maria Vargas dancing in a Madrid nightclub. Goaded by his producer, the director convinces Maria to screen test for, and then star in, his next big picture. But as the producer's possessive nature and the realities of stardom weigh on Maria, she seeks a genuine lover with whom she can escape.
American gunslinger Sean Rafferty—aka The Montana Kid—is unable to find someone to duel in a Canadian town where no one understands the brutal code of the American Wild West.
Apple Annie is an aging New York City fruit seller whose daughter Louise has been raised in a Spanish convent since she was an infant. As she grows up, Louise is led to believe that her mother is a society matron called Mrs. E. Worthington Manville. Annie worries that her lie is in danger of being uncovered when she learns that Louise is sailing to New York with her new fiancé and his nobleman father.
An aspiring actress crosses paths with a prolific serial killer in '70s LA when they're cast on an episode of "The Dating Game."
A murder takes place in a suburban high school. A mentally defective detective Delgado Rodriguez and his partner, the German ex-soldier-veteran Stilenacht, begin a wide-ranging investigation. The comically hapless duo go undercover, roaming the halls among the students, looking for clues. They have no idea what they're getting themselves into. Nothing is certain in this case. The film is full of pop-culture references and allusions, relentlessly peppered with corny puns that sometimes become an integral part of the plot and story. The film takes a similar approach to the mixing of genres; the crime film premise crosses into the realms of fantasy and horror in the course of a plot that is often self-contradictory.
The story of medical student Sonja Smirnow and her family.
Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.
When lifelong best friends Leo and Ulrich return home after completing their military training, Leo meets the stunning Felicitas at a railway station and is mesmerized by her beauty. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.
After a breakfast of LSD and hitchhikers, The Takers--two berserk bikers--decide to go upscale when they spot suburban housewife Laura and bachelorette Barbi, follow them to Laura's home, and invite themselves in: "We're gonna have us a party with some educated social-type broads!" And party they do until Laura's hubbie (director Carl Monson) unexpectedly shows up to settle things with some shotgun vengeance and... well, one of the goofiest, most startling endings of any motion picture!
After Debbie Smith was raped, she didn't take the law into her own hands. She wrote the law... Based on a true story. In 1989, Debbie Smith was living a quiet life as a housewife with her police officer husband, Rob and their two kids, but one day it's all shattered. While her husband slept upstairs, Debbie was dragged from her kitchen in broad daylight and brutally raped in the woods. After going through the dehumanizing rape-kit, she waited with fear and paranoia. Six years later, her rapist was caught through a chance DNA test. After learning how many rape-kits go untested and how long women wait to get justice, Debbie makes it her mission so no more women will suffer the long wait to get justice.
In 19th-century Quebec, Claire, a kitchen hand for a group of fishermen, dreams of learning the men's trade. When she’s invited on a midnight fishing lesson, a nightmare unfolds, and Saule, a nurse, devotes herself to saving her. Together, the two women face their own wounds and join forces to survive.
Teenager Kazuki Miyaichi has always felt unloved by her mother due the circumstances surrounding her birth. Because she harbors anxiety and perceives herself as being worthless to others, she engages in acts of juvenile delinquency. One day, a transfer student from Yokohama named Eri introduces her to Hiroshi Haruyama, a reckless youth who’s a member of the “Nights” motorcycle gang. Kazuki finds herself increasingly drawn to Hiroshi over time, but he soon becomes leader of the Nights and gets caught up in a conflict with a rival gang.
A noble swordsman, whose arm had been chopped off, returns to his former teacher to defend him from a villainous gang of rival swordsmen.
The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.