Bielefeld Lichtwerk

"A fine fine example of spaces between existing as objects themselves. A patternistic and memorializing offering to natural totems. Two kinds of reversal at play involving black and white as well as reflection and overlap. These simple elements create a hurried maze of twisting antler branches, twigs, and dissected slices of pure “space.” I can hear the crackling fires, echoing elk calls and frosty despair…" - JT Rogstad, The International Exposition

The Old Man is a 1914 film short

Upon receipt of a mysterious envelope, without sender, something inexplicable happens in Karen's apartment.

Two brothers take refuge in a world of shadows they have created. As the darkness deepens, they must support each other to find inner light and stay connected to what truly matters.

In the farmhouse Gaikoborda, located in the north of Navarre, a mournful family lives; dad, mom, and their four children: Jon, the paraplegic Aintzane and the twins Saioa and Anartz. One of these monotonous days, the mother recieves a visit: the doctor.

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

Using a 35mm strip of motion picture slug featuring the recently deceased American comedian Richard Pryor, this extended Rorschach assault on the eyes moves out of a flickering chaos created by incompatible film gauges into a punchline involving historically incompatible racial stereotypes.

A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.

Light Rapid Transit

Bree and Drew just broke up. Panicking to pack up their stuff before the movers arrive, they fall back on witty repartee to mask their true feels as Drew tries to force Bree to take back the ring she never wanted.

A small town embroiled in Civil Rights unrest receives a proposition that could change the world. There's just one caveat. They have to come together and put aside their differences.

Paris, a few days after the death of the King of Pop and a few days before Christmas, he and she happen to meet in the back seat of a cab. They ride along through the streets, among the city lights, just long enough for an encounter.

A short silent documentary on the making of the 1931 Abel Gance directed film, "La Fin du Monde".

A strange woman arrives from the North to a prehistoric village bringing some bad news...

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Scherzo

Pulsar

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

A black female security guard gets trapped inside of a hospital with a deadly creature.