Once in the XX Century

C.R. MacNamara is a managing director for Coca Cola in West Berlin during the Cold War, just before the Wall is put up. When Scarlett, the rebellious daughter of his boss, comes to West Berlin, MacNamara has to look after her, but this turns out to be a difficult task when she reveals to be married to a communist.

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…

When Russia's first nuclear submarine malfunctions on its maiden voyage, the crew must race to save the ship and prevent a nuclear disaster.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

Fu Manchu's 168th birthday celebration is dampened when a hapless flunky spills Fu's age-regressing elixir vitae. Fu sends his lackeys to round up ingredients for a new batch of elixir, starting with the Star of Leningrad diamond, nabbed from a Soviet exhibition in Washington. The FBI sends agents Capone and Williams to England to confer with Nayland Smith, an expert on Fu.

Documentary on the USSR

2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.

In a small village of Communist-era Romania a young couple wish to marry, but Joseph Stalin dies the night prior to their wedding ceremony forcing the bride and groom to marry in silence.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

Rich Nikoghos-agha buys some beef liver for Nerses-akhpar's family. Although months have passed, Nikoghos-agha does not hesitate to remind his "charity" to Nerses-akhpar every time they met.

When Imeda’s father is killed in a blood revenge accident, the family moves him to the city where he is sheltered at his father’s friend. After fifteen year he gets back to Khevsureti. A talented painter, he spends most of his time doing sketches of nature and people. There he meets a local beauty, Mzekala and fells in love with her but finds out that Torghva is also in love with her. Enraged by Imeda’s impudence Torghva calls him for a sword fight and is killed by Imeda. To avoid another round of blood revenge, the villagers let Imeda and Mzekala out of the village but someone who wants Imeda’s blood finds it out and follows them.

Petrograd, Soviet Union, 1920s. Boris Letush, devastated by a personal tragedy, feels the need to put his conscience and his principles before the demands of the cruel system he serves, where law and justice are systematically ignored.

A talented street drummer from Harlem enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top.

ČST v Měšťanské besedě

The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character "Afonya" Borshev is a plumber, who spends his life partying with "buddies", many of whom he doesn't even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn't realize it. Afonya met Katya at a dance club, yet didn't pay her much attention. But she is the one, who can save him... In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.

Two Soviet humans previously unknown to each other are transported to the planet Pluke in the Kin-dza-da galaxy due to a chance encounter with an alien teleportation device. They must come to grips with a language barrier and Plukian social norms (not to mention the laws of space and time) if they ever hope to return to Earth.

Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.