An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
The 24 Hours of Le Mans is one of the premier automotive races of the year. Companies invest millions into cars and racers alike to take home the trophy and the glory of a Le Mans win. And then there is the 24 Hours of Lemons, a 24-hour endurance car race that travels year-round. The rules are simple: buy or build a race car for $500 or less—the most laps win. The teams? Three Pedal Mafia, Team Fafrumwinnin, and Great Globs of Oil will pit their wits, their technical acumen, and common sense against competitors and the laws of physics alike.
In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.
"In Pursuit of Excellence" is the story of the oldest and most well know automobile company in the world. Tracing the extensive history of Mercedes Benz from its first car, the three-wheeler, built before 1900 through the Indy winning race cars of the 1990s. Our cameras take you on a journey to meet the men and machines behind this legendary brand. In Pursuit of Excellence also includes exclusive interviews with senior company management and access to the Mercedes Benz company archives (one of the largest corporate archives in the world). We take you inside "The Hidden Garages" to see what can best be described as the Holy Grail for Mercedes Benz enthusiasts, as well as extensive footage from the Mercedes Benz Classic Car Restoration center in Fellbach, Germany, and material shot at the official Mercedes Benz Museum in Germany.
A white family has just put their house on the market and are soon showing it to an interested black family. The neighbors begin to gossip and soon the white family becomes the target of harassment and threats by bigoted residents in the community, who do not want a black family in the neighborhood.
Snow Dogs
Which is faster round a racetrack - a Porsche 911 or the Yamaha R1? Would you rather have a Ferrari 360 Modena or the new Aston Martin DB7 Vantage? Which is the best road-going rocketship - the BMW M5 with Tiff Needell at the wheel or JC’s Jaguar XJR? Which of the new Japanese super tech cars is best? the Evo6 or the 22b? PLUS grimace as JC shows a Hyundai what it’s like to be eaten, marvel at the Lamborghini LM002 as it wreaks havoc on London’s traffic and check out the greatest race Silverstone has ever seen - Johnny Herbert in his Stewart Ford and Colin McRae in his full rally spec Focus...versus JC in a Cougar. (NEVER BEFORE SEEN ON TV)
The story of an Eskimo father and son who train and groom a sled dog team. When the father is lost on an ice floe, the son takes the unproven team on the search, and succeeds in finding his father.
In Istanbul, American writer James Baldwin muses about race, the American fascination with sexuality, insights into his interrupted writing decade in the country, the generosity of the Turks, and how being in another country, in another place, forces one to re-examine well-established attitudes about modern society.
Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.
Out of love for Huskies, nature and cold winters Dave and Kristen Olesen moved from Minnesota to the North West Territories in Canada 25 years ago to create their own little universe on the magnificent East arm of Great Slave Lake. With their two daughters Annika 15 and Liv 12 and their 37 dogs, the Olesens enjoy a unique lifestyle in the wide open wilderness far away from civilization. One winter they all leave their self-built homestead with ten dogs on a two and a half thousand mile family expedition allowing Annika to run the Junior Iditarod in Alaska. As unexpected obstacles all along the trip culminate in three heavily injured dogs the whole endeavor is at risk. Optimism, love and loyalty prevail on this exciting epic family voyage.
THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.
Documentary covering the trailblazing career and tragically short life of Laurie Cunningham, the English football star of the '70s and '80s.
Traces the making of UC-Davis professor Darrell Hamamoto's first-ever Asian American porn movie ("Skin on Skin") from planning to production. Hou interviews filmmakers Justin Lin ("Better Luck Tomorrow") and Eric Byler ("Charlotte Sometimes"), professor Elaine Kim and playwright David Henry Hwang to get at whether Asian America truly needs its own "porno practices" as a way of decolonizing the community's collective sexual imaginations and confronting how sexuality and masculinity are treated in the Asian American community.
In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. The Pruitt-Igoe Myth explores the social, economic and legislative issues that led to the decline of conventional public housing in America, and the city centers in which they resided, while tracing the personal and poignant narratives of several of the project's residents. In the post-War years, the American city changed in ways that made it unrecognizable from a generation earlier, privileging some and leaving others in its wake. The next time the city changes, remember Pruitt-Igoe.
Composer Georg Friedrich Haas and African-American kink educator Mollena Lee Williams enter into a complicated relationship.
Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.