Le dernier tamaraw

In the north of the Philippines lies the area of Banaue, known for its rice cultivation. Roger lives here in a small village. Roger is thirteen and has five brothers and sisters. As the oldest, he is responsible for the daily firewood. To get this, Roger sets off into the mountains every other day. At seven in the morning, they start. A truck takes Roger and his four friends out into the steep, forested slopes above the rice terraces. With them on the back of the truck are the 'scooters', homemade wooden scooters with which the firewood is driven down to the valley. Once they reach the top, they cut down smaller logs, chop them up and pack their scooters full of them. After this strenuous work, the great fun begins. On bumpy paths and at breakneck speed, they make their way back to the village. Races and tricks are part of the fun, of course.

JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living, far from their homes for years at a time. Lavishly shot and cut to the rhythm of the streets, JEEPNEY provides an enticing vehicle through which the rippling effects of globalization can be felt.

When Jennifer Laude, a Filipina trans woman, is brutally murdered by a U.S. Marine, three women intimately invested in the case--an activist attorney, a transgender journalist and Jennifer's mother)--galvanize a political uprising, pursuing justice and taking on hardened histories of US imperialism.

The Jeepney is a common affordable transportation in the Philippines. Made from abandoned American Jeeps during World War II, the Jeepney remains a symbolic figure of the Philippine identity.

The Philippine Basketball Association is producing: THE PBA: A NATION’s PASSION. For the first time in the history the PBA gathers the men and women who have shaped the landscape of professional basketball in the Philippines.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.

Reviews the history of the Philippine Islands under Spanish and American rule. Shows country today with its emphasis on agriculture, and contrasts the rural life with the urban existence in the port of Manila.

Before he became one of the world's greatest boxers, Emmanuel "Manny" Pacquiao was a young boy living a hand-to-mouth existence, trying to survive from one day to the next. When he discovers his natural talent for boxing, he embarks on a brutal and intense journey that takes him from the mountains of the Philippines to the streets of Manila, and must risk everything to become a champion - for himself, his family, and his country.

The Pearl Jam Movie!! That’s right. Made in 1995 by the band when Jack Irons was drummer and filmed over the course of their 1995 Far-East tour in Japan, Taiwan, Australia and New Zealand…it’s half tour documentary and half movie. This movie was apparently scrapped by the band at the final mixing stage for some unknown reason, seems completely unedited/uncut. It full of really wild and weird little skits by the band (like Ed and Jack acting out some strange Godzilla attack on the beach, Mike McCready's stage strip-tease), airplane, backstage & soundcheck footage of all the band members, the band on the streets & taking in the culture of the countries they’re visiting.

YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director

The story of Nick Joaquin, who only accepted the National Artist Award on the condition that the Marcos administration release a well-known writer who was being unjustly detained during Martial Law.

Scenes from Sharon Cuneta and Gabby Concepcion movies and a feature of their wedding.

A brief account of the Spanish-American War (1898) and the end of the Spanish Empire in the Caribbean Sea and the Pacific Ocean.

A slice-of-life documentary of the rubber plantation boys in Zamboanga Sibugay. It’s about boyhood journeys and life’s realities told in a free-spirited, yet melancholic manner.

A presentation of three portraits of different lives caught in crossfire of unwavering faith and ambiguous histories to create a tapestry of Mindanao’s forgotten people.

A series of audio recordings that present an unseen America. This documentary feature unfolds through the eyes of eavesdroppers from the tropics.

“Traslacion: Ang Paglakad sa Altar ng Alanganin” focuses on four LGBT couples and their stand on equality and the right to marry. This documentary addresses their complicated quests in defining themselves within a conservative society.

At the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled to the Philippines in a makeshift boat. The couple were then recruited as extras during the filming of Apocalypse Now.