A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
A student movie loosely based on the short story by Sadegh Chubak
The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.
Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.
A young boy, Bjørn, discovers on his 17th birthday that his problems with the girls might not be self-inflicted.
Mona is torn between the love she has for Khaled, and her utter abhorrence of the male-dominant practices. When Khaled sweet-talks her into believing he is a liberal man, she marries him, only to be shocked by his real self and his controlling tendencies.
2015 featurette documentary behind the experience of Nightmare and grindhouse cinema.
The mayor of an Upper Egyptian village has monopoly over beans which harms the simple villagers while getting high profits for the mayor. As one of the villagers stands up to the mayor and rallies the people, they decide to gather money to monopolize beans themselves.
Splinter
A man lives isolated in his grandmother's country-house in an attempt to recover from a tragic event involving his family. His lonely and silent days are spent with an unnameable hope.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
After indulging in much delinquency in his youth, seventeen-year-old Antoine Doinel is now an upstanding member of society working for Philips Records, which allows him to indulge in his love of music. At the Youth Concerts, he has noticed the same young woman at several performances. She is Colette, and the two begin to date. Colette treats Antoine like a buddy, while Antoine has fallen in love with her.
Fatima grows jealous because her husband Hassan is a lawyer whose work conditions compel him to deal with many women, including the dancer Souad, whose relationship with Hassan makes matters worse between him and his wife.
Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.
16th July 1969: America prepares to launch Apollo 11. Thousands of kilometers away, a ragtag group of Zambian exiles is trying to beat America to the Moon.
A yuppie seeks help from two townspeople in finding his wife and daughter, during a blizzard storm. Based on the short story by Stephen King.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.