Floss Brannon, expelled from college for mischievous conduct, marries Chester Framm, a struggling young student who aspires to be an orator. When Chester's salary as an insurance clerk proves insufficient for the couple's needs, Claire invents a complexion cream called "Angel Bloom." Deciding to combine Chester's oratory prowess with the promotion of Angel Bloom, Floss rents an elephant, coats it with the cream and plans to have Chester pitch the product from the back of the animal.
An ordinary day - so an eventful one - of Tom Katt, a young man who works as a drugstore owner's assistant: his - very acrobatic - bike ride to his place of work; the - fanciful - way he performs his job; the - ingenious - subterfuge he finds to help his employer, who has money problems; the - swift - way he escapes the cops chasing him...
Vivacious Marie Prevost starred in this pleasant little Universal comedy about a flirt who stages moonlight dances at her father's country estate in order to provoke eligible men to fall in love with her.
The Family Upstairs
A New York fur saleswoman falls for a man she meets on the subway and must decide if she wants to accept a much dreamed for work transfer to Paris, or stay and get married.
The Simpsons go for a picnic in the woods. After luncheon, while mother and father enjoy a nap, Betty, their beautiful daughter, strolls away, picking flowers. When near a hillside, Betty sees a snake and screams. She starts to run away, but bumps into Billy Gilwater. He kills the snake and Betty calls him a hero.
Mickey McGuire is putting on a bad performance of Uncle Tom's Cabin, but first he has to deal with the competition; another boy is putting on a wild animal show -- house cats inflamed by the "tamer" having white mice in his trousers.
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
A Harold Lloyd short featuring a young Snooky the chimp
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
Broke and stranded in England, American sportsman Larry Brooks and his pal Ambrose take on increasingly odd jobs to remain in proximity to the aristocratic lady that Larry would woo.
A Pakistani Briton renovates a rundown laundrette with his male lover while dealing with drama within his family, the local Pakistani community, and a persistent mob of skinheads.
The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.
Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.