Aztech

In a futuristic totalitarian utopian society, babies are created through genetic engineering, everyone has a predestined place in society and their minds are conditioned to follow the rules. A tragic outsider jeopardizes the status quo.

Paula, a young supporting character, studies at the Main Character School and dreams on graduating to become a lead.

In this sequel, two juvenile detention officers must escort a group of criminally-inclined urban kids to the country where they are being forced to renovate a shelter for teens as punishment for their crimes. After one of them is shot by a local, the survivors seek refuge in the home of a voodoo woman, where they mistakenly summon legendary clown-faced demon Killjoy who begins hunting them down one by one.

After a hard day of volleyball at the beach, a teen whose parents are away decides to have a slumber party with her girlfriends. Their boyfriends predictably show up to scare them, but a stranger from the beach is also seen lurking around the house. Soon the group begins experiencing an attrition problem.

Trish invites her high school basketball teammates over for a night they'll never forget when an unexpected guest crashes the party: an escaped psychopath with a portable power drill.

A vampire follows his instincts to a strip joint where he focuses in on one of the performers. He picks her for his meal because she is contemplating suicide, but he wants to share her life before taking it, and during the course of the evening they discuss their differences, their fears, and their lifestyles. As the moment of truth approaches, the woman becomes less sure that she wants to die.

Emma has a strong aversion towards her family’s new house, especially the attic. After moving in, she becomes miserable and reclusive. The rest of her family also seems unhappy and unsettled. The situation escalates one day when Emma is in the attic alone. All of a sudden someone who looks exactly like Emma attacks her viciously.

Courtney is tormented by dreams of the infamous Driller Killer returning to wreak havoc... only to find that the murderous monster is reincarnated as an evil rocker.

When the razor blade slasher begins his reign of terror in the alleys behind the Los Angeles strip clubs, the most famous stripper in the spotlight must walk a tightrope between her own fragile sanity and the inescapable murderer's blade.

Die Überflüssigen

An agoraphobic woman comes to rely on an AI machine for delivery of her anti-anxiety medicine during a global pandemic. Motivated by the desire to receive a 5-star rating, the machine engages in aberrant behavior that becomes downright scary.

A couple attempts to revive their spark at a "happy ending" massage parlor, but they're trapped inside when a murderous client's obsession with a masseuse turns violent, thrusting everyone in the spa into a fight for survival.

Nanny McPhee appears at the door of a harried young mother who is trying to run the family farm while her husband is away at war. But once she’s arrived, Nanny discovers that the children are fighting a war of their own against two spoiled city cousins who have just moved in. Relying on everything from a flying motorcycle and a statue that comes to life to a tree-climbing piglet and a baby elephant, Nanny uses her magic to teach her mischievous charges five new lessons.

While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

A geologist, Sarah Portico, travels to a remote island to investigate an environmental mystery. Upon her arrival, she experiences strange visions, dreams that seem to predict her future, and eventually force her to confront her painful past. As Sarah uncovers the cause of the environmental mystery, she discovers her true self. Out of the Fog is an experiential film about emotional healing and self-discovery.

The planet Earth is devastated by the lack of water. Desert and arid, left this place few living beings , who had to adapt to the new bioma.2 Isolated in small communities , living separated...

Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.

A romantic escape into nature turns into the ultimate moment of reckoning when a husband and wife are trapped in a tent with a deadly snake. Unable to escape and with certain death looming, the tent becomes a heated confessional to a cataclysmic truth. Betrayed, the couple finds themselves spiraling into a dark and dangerous space of which only one can survive.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.