Cœur fidèle

In Spain, a girl awaits the return of her lover, an officer in the army.

Silent film from 1915 which draws on the story of Carmen

For those who thought "Reefer Madness" was the first exploitation movie you'll be interested to know that the genre was alive and well during the silent era. "Street of Forgotten Women" is the usual potboiler about a rich girl who is disowned by her father when she decides she wants a career in show business. After sinking her money in a stage production which immediately flops, she's forced to try and earn a living dancing in a saloon in her underwear. Even worse, she is forced into prostitution in a slum apartment that just happens to be owned by HER FATHER!!!!!

It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.

Helen and Tom are desperate to get married. After a foiled elopement attempt, the couple hatches a “fake wedding” scheme to trick Helen’s protective parents into allowing their marriage.

When he goes to Paris an aristocrat steps into a cinema and is shocked by something he sees on screen.

An aging engineer pursues a scheme to build a flying machine at the expense of his family's health. When his daughter falls ill, he enters a flying competition to win money for her treatment, even though his design is dangerously untested.

A farmer's daughter, who devotedly endlessly gives selflessly of herself to her parents and younger siblings, dreams of going to college, which she's saved money to be able to pay for.

Three men in succession propose marriage to Grace Darling; she accepts all! Since they are roommates, the three discover their problem in short order; when they return for an explanation, they're in for a surprise.

Southern California locations vividly suggest both elemental pre-Roman Britain and classical Rome. An energetic cinematic pacing and intimacy show rapidly improving narrative technique and realism well beyond the limitations of the stage. Especially cinematic are the bedchamber scene in the first reel, with its intimate cinematography and acting and special lighting effect, and the battle scene of the second reel, considered very effective in its day.

A romance between a railroad engineer and the switchman's daughter is nearly ruined by train wreckers who knock out the girl and leave her on the tracks to be run over. The engineer perches on the engine's cow catcher and rescues the girl.

This partially-extant silent film focuses on the lives of people in rural China during the early twentieth century. Wang Guisheng (played by Wang Yuanlong) is an orphan who grew up at his uncle's, working as a farmhand. Since childhood, he has been close with his female cousin, Li Ah Zhen (played by Li Minghui), and they expect to marry. But when her mother dies of illness and overwork, Ah Zhen's father re-marries, and the evil stepmother connives to marry Ah Zhen off to the stepmother's nephew. Then a government representative comes to the village recruiting peasants to establish a new settlement on the borderlands, she persuades the despondent Guisheng to sign up. Guisheng leaves his love behind, only to find hardship on the frontier. Ah Zhen, who has fallen ill, is set upon by her groom on her wedding night...BUT the next morning his stabbed corpse is found in the bridal chamber and a body in a bridal gown is found down a well. WHAT HAS HAPPENED?!?!?!?!!

Polichinelle the servant (called Harlequin in the English language version) rescues his girlfriend from a gang of decadent aristocrats, who have transformed her into a mechanical doll.

This film from George Melies is sadly one that's only available in fragments. The film starts off with a title card stating that a drunk man has just thrown his family out a window. We see a couple of them landing on the ground and then we go back to the room where the drunk is now trying to kill himself.

Prospero and his daughter Miranda must take refuge on an enchanted island. There Prospero, who himself has magical powers, releases the spirit Ariel from a spell, and also meets the savage Caliban. Then Prospero uses his powers to create a tempest that shipwrecks some of the persons who caused his exile.

After receiving a scolding for falling asleep on the job, Cupid is sent out in search of potential lovers to unite. While flying over a city, he finds a ballroom dance and identifies a likely couple. He is successful in getting them to meet, but many obstacles still stand in the way of Cupid achieving his goal for them.

A man is murdered and the killer brought to justice by guillotine. This film is partly lost.

Based on Shakespeare's play, Act V, Scene vii: King John is in torment, and his supporters fear that his end is near. As he writhes in agony, he is attended by Prince Henry, the Earl of Pembroke, and Robert Bigot. Prince Henry tries repeatedly to comfort his delirious father, but to no avail - John's pain is too great.

This early film made by Georges Hatot for the Lumière Company is a brief single shot-scene of the assassination of the French revolutionary writer, Jean-Paul Marat--who has the notorious distinction of having influenced the Reign of Terror.

"Nothing new, but an old thing done over again and done well. Some one has attempted to describe a kiss as "something made of nothing," but this is not one of that kind, but one of those old fashioned "home made" kind that sets the whole audience into merriment and motion, and has always proven a popular subject. It is very fine photographically and an exhibit is not complete without it." -Edison film catalog.