T11 Incomplete

At 25, Berthe dreams of making a living from her painting, never to marry, and to always stay with her sister Edma. Her parents do not see things from the same angle. Then Berthe meets Edouard Manet, who takes an interest in this young artist apprentice whose face inspires him.

Two friends from Odesa try to compose a video message to their pals, emigrants to the United States. One of them rents his apartment to a tricky girl who invents various excuses not to pay the rent. An exceptional story about people on the verge of despair who nonetheless manage to enjoy life, even if these joys are beyond good and evil.

Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

After the death of his wife, a man moves from Mississippi to a run-down Hollywood apartment, where he meets someone new.

A young father, his twelve-year-old daughter, a night club, two secrets and a lie that will solve everything.

Two teenage couples are spending a weekend together in a house by the sea. When new feelings develop, the dynamic quickly changes.

Examining the underlying tensions between mateship and masculinity in Australian sport in a portrayal of athletes rife with foul language, stigma, secrets, violence and nudity.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.

Once upon a time there was a country known by the name of Laura Molloy. Laura Molloy was the name of this country. Only women lived in Laura MolloyEsmeralda del Rio was a woman. One day Esmeralda del Rio had the idea to undergo a series of transformations, which were to take her very far. So far did she go that she had no way of knowing how far she had gone. Two things were certain: Esmeralda del Rio was blond and in her own way she practiced a kind of magic which I would like to call 'blond magic'.

Moshe and Tami are a couple, Moshe is in his fifties and Tami is in her early twenties. They live together in a cruel and violent relationship, from which Tami seems unable to set herself free. Tami and Moshe are father and daughter...

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.

Bridget Jones is an average woman struggling against expectations. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. Her charming boss takes an interest in her, and she cannot stop running into a rather disagreeable acquaintance whom Bridget cannot help finding quietly attractive.

A couple's relationship falls apart under the pressures of city life and their personal demons. Can they work through their issues, face their fears and realise they are meant to be together?

Oblivious to their close proximity to one another, two women reflect on a brief connection they shared six months earlier.