The Quiet

Out to steal a trophy from a local bowling alley, a group of college students accidentally unleash the imp -- a sadistic little spirit that creates demons and loves sexy women.

A family is forced to live in silence while hiding from creatures that hunt by sound.

Chloe Keane is an stressed American fashion model living in London who is about to have the worst weekend of her life. She and her boyfriend are invited to attend a party at the house of a former rock-star named Stan and his weird family who live in the countryside. Chloe awakes the next morning only to find her boyfriend has abandoned her at Stan's house and she has been drugged and handcuffed to the bed.

Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself.

Faye, a former actress that lost her vision due to botched laser eye surgery, struggles to put her life back together while living alone in her dream house in the Hollywood Hills. Supported by her friend Sophia, she starts opening up to Luke, a personal trainer who is mute and can only communicate through his cell phone. When a masked stranger named Pretty Boy shows up, Faye will realize that she isn't as alone as she thinks.

Golden boys, teen lust, self-conscious dolls, chance encounters, a vengeful creature, holiday romance, hidden sexuality — Boys On Film celebrates it's (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Volume 16: Possession features ten complete films: Kai Stänicke's "Golden" with Christian Tesch and Maximilian Gehrlinger; Christopher Manning's "Jamie" starring Sebastian Christophers and Raphael Verrion; Kai Stänicke's "B." starring Susanne Bormann and Andreas Jähnert; Blake Mawson's "PYOTR495" starring Alex Ozerov; Charlie Francis's "When A Man Loves A Woman" starring Tommy Jay Brennan, Jemima Spence, and Diane Brooks Webster; Anthony Schatteman's "Follow Me" starring Ezra Fieremans and Maarten Ketels; Jake Graf's "Chance" starring 'ABS' and Clifford Hume; Andrew Keenan-Bolger's "Sign" starring John McGinty and Preston Sadleir; Oliver Mason's "Away With Me" starring Chris Polick and Lee Knight; and "We Could Be Parents" by Björn Elgerd.

Once upon a time, a mysterious stranger visits a tavern with his unusual barrel organ and gives a scary musical performance to the beggars within.

When two college roommates purchase a cursed old clock, one of the girls becomes possessed by a demon while the other, who is deaf, remains unaffected. With time running out, they must uncover the violent history of the haunted antique before it's too late.

With the world under attack by deadly creatures who hunt by sound, a teen and her family seek refuge outside the city and encounter a mysterious cult.

Marta and her deaf younger sister Noemí live together with their grandfather on an Argentine farm in the 1960s. One day, Noemí finds a strange figure made of branches and when she touches it, she becomes possessed. The situation becomes more terrifying when the house becomes a place full of dark and sinister presences.

In Los Angeles, photographer Peter Mitchell learns that he has inherited a palatial estate in Sweden from his unknown relative, Annie Holst. He, his girlfriend Sarah, and her deaf son Dennis, head overseas to decide whether to live in the property or to sell it. But when they arrive, they find the locals offer a chilly reception whenever Annie's name is mentioned. It turns out that Annie had lost her son some 50 years ago in a tragedy at the nearby orphanage where she had placed him temporarily, due to circumstances beyond her control. But she had continued to see her son even after his death. Now, young Dennis is drawn to the derelict orphanage, and to a new friend who only he can see. And Peter must solve a decades-old mystery of how the orphans died before his family faces a similar fate.

A deaf woman is stalked by a psychotic killer in her secluded home.

On the eve of a catastrophic event which will wipe out the hearing population, we follow four deaf characters as they go about their daily lives.

Luan, a deaf 16-year-old boy, faces an unusual fear. For a long time the boy comes guarding their anguish, born of a past trauma. But the time is coming to confront the unconditional fear that this aberration brings it: a fear that, contrary to what one might imagine, there is nothing funny.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

Bori, an 11-year-old girl in a seaside village, is the only family member who can hear. As an elementary school student, Bori becomes more and more accustomed to talking with her friends while finding it hard to communicate with her family in sign language.

A woman, distraught because of her recent miscarriage, accidentally injures a child in a hit-and-run accident, but she keeps the incident a secret. Overcome with guilt and remorse, she seeks out the child in the hospital and attempts to help him regain his speech, even though, if successful, it might mean he will implicate her for the crime.

Je suis tes yeux

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

A strict, but caring mother has an awakening when she is told she has cancer and it is terminal. She has a few months. She needs to complete her tasks in that short time frame.