The Good Nazi

On August 6, 1945, the first-ever nuclear bomb deployed in war was dropped on the city of Hiroshima Prefecture, leaving an estimated 140,000 dead in its wake by the end of that year. Among the victims, one particular age group stands out for the sheer number of fatalities sustained: 12 and 13 year-olds, children of first year junior high school age. We investigate the tragedy of this lost generation, piecing together surviving records and speaking with survivors, for whom the memories of children robbed of their futures that day are still burned deep in their memories, nearly eight decades on.

This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.

Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.

Ireland, June 1944. The crucial decision about the right time to start Operation Overlord on D-Day comes to depend on the readings taken by Maureen Flavin, a young girl who works at a post office, used as a weather station, in Blacksod, in County Mayo, the westernmost promontory of Europe, far from the many lands devastated by the iron storms of World War II.

A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.

A film about a district in Buda, which to this day cannot face the inconceivably cruel crimes committed by its former inhabitants.

In this non-narrative, meditative, and poignant film, footage of life from the Lodz Ghetto is juxtaposed with the chanting of "Kel Maleh Rachamim," a plea to God to let the souls of those "slaughtered and burned" find peace.

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

From Normandy to the Rhine

Les Lycéens, le Traître et les Nazis

An elderly man is working tirelessly to revive the Jewish world lost in the Holocaust. His name is Aharon Appelfeld, and he became one of the greatest Jewish writers of our time. Every day, through his murmuring voice and handwriting, the survivors, the children of Ukraine, the peasants of Yiddishland come alive in the tiny office of a Jerusalem apartment. Aharon Appelfeld, solitary, wants to fight this battle to his last breath.

After the capture of Shanghai, Japanese soldiers make a trip to Suzhou.

A documentary film about the internment of Japanese Americans at Heart Mountain, Wyoming during World War II. The program, hosted by Jan Yanehiro, proceeds in part as a series of interviews. It also includes archival film footage of Heart Mountain and Japanese Americans during World War II, as well as present day footage of the Heart Mountain landscape.

Søren Kam: Nazisten, der aldrig fortrød

Engineer Dr Hugh Hunt revisits the little-known story of the First World War's Blitz, when the Zeppelin waged an 18-month terror campaign on the people of London.

The 'mighty' Hood was the pride of the British Navy for more than 20 years, revered around the world as the largest and most powerful warship afloat. But when it was sunk by the German battleship Bismarck off the coast of Greenland on 24 May 1941, its end was shockingly swift.

British intelligence undertook an audacious operation to listen in on the private conversations of 10,000 German prisoners of war without their ever knowing they were being overheard. The prisoners' unguarded reminiscences and unintentional confessions have only just come to light, and prove how closely the German army were involved in the atrocities of the Holocaust. British intelligence requisitioned three stately homes for this epic task, and converted each into an elaborate trap. The 100,000 hours of conversation they captured provided crucial intelligence that changed the course of the war, and revealed some of its worst horrors, from rape to mass executions to one of the earliest bulletins from the concentration camps. But when the fighting ended, the recordings were destroyed and the transcripts locked away for half a century. Only now have they been declassified, researched and cross-referenced.

Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

Auschwitz, la machine de mort nazie

The Holocaust. Certified crime