The Rooster’s Crow at Noon

The year is 1950 and an English couple, Louise and Michael, have arrived in French-occupied Indochina to cover a story on a French-owned rubber plantation. They are to be the guests of the enigmatic plantation overseer, Daniel, and his beautiful yet difficult daughter Viola, at their elegant, decaying villa amid a tropical jungle. Michael and Louise hope that some time spent working in an exotic location will help reignite the passion in their floundering marriage. Instead they become unwittingly involved in the personal, sexual and political tensions of their hosts. Daniel is desperate to hold onto a way of life no longer possible in a country struggling for independence, bringing him into conflict with not only his daughter but also with his adopted country.

The story of a group of contemporary young people, growing up in well-to-do small-town

Seven old college friends gather for a weekend reunion after the funeral of one of their own.

Atrapado

Faced with the prospect of being sent to work abroad, Sally Brown returns home from London to Hull, to see if she still feels the same attachment for her home town - and for her old boyfriend Mike Thurlow. Will she decide to take the job abroad or return to live with Mike in Hull?

An aging screen icon gets lured into accepting an award at a rinky-dink film festival in Nashville, Tenn., sending him on a hilarious fish-out-of-water adventure and an unexpectedly poignant journey into his past.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.

Phoenix Club

A Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.

Focusing on the trauma of losing your significant other and the guilt carried when attempting to move on in a new relationship, Andrew feels pressured to choose between his deserved future with Olive, his current romance or dwell on the death of Julia, his last picture perfect relationship.

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.

A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape.

Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.

Closing night at a rural bar gets complicated when a blizzard traps a motley crew of misfits overnight.

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

A girl arrives in Buenos Aires to move alone for the first time.

In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.