The Rooster’s Crow at Noon

Two tigers are separated as cubs and taken into captivity, only to be reunited years later as enemies by an explorer (Pearce) who inadvertently forces them to fight each other.

Meera, a young professional suspended in the quiet rhythms of her days, finds solace in an unlikely place. Drifting through the isolation of early adulthood, she rediscovers her sense of self—and her connection to the world—after stumbling upon a forgotten schoolmate’s blog.

A young girl named Kacey is forced to grow up by someone she trusts. Once she realizes what he's doing, she decides to fight back and reclaim what is rightfully hers.

Preciso Urgentemente Encontrar Um Amigo

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

The Graduation Movie of the 2025 class of the Feudenheim Gymnasium. A seemingly normal documentation escalates.

Seven old college friends gather for a weekend reunion after the funeral of one of their own.

Atrapado

Focusing on the trauma of losing your significant other and the guilt carried when attempting to move on in a new relationship, Andrew feels pressured to choose between his deserved future with Olive, his current romance or dwell on the death of Julia, his last picture perfect relationship.

After the end of an intense relationship, Aurora returns to the places that marked its beginning and end. While reliving good and painful memories, she confronts what she lost of herself in trying to hold onto the love. In writing a final letter, Aurora attempts to transform the end into a learning experience—and understand that letting go is also part of moving on.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

A man receives a message from an unknown number inviting him to return to the place where it all began. Following the clue, he returns to a park from his childhood, where a forgotten memory becomes a reason to live again.

In the wake of his father’s suicide, young record collector Ollie Sway returns to the family lake house with his friend Nikolai in tow to lay claim to an invaluable jazz recording. An unexpected visit from Ollie’s estranged grandmother and a chance encounter with a girl from across the lake derail their search, forcing them to confront the Sway family history and a suffering that has resounded through generations.

Recovering from a heart attack, a workaholic editor recalls the simple days of his youth. Robertson adds an emotional center to this messy, flashback-filled 'heavy' dramatic piece. Plenty of co-star talent.

In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.