The Midday Rooster’s Crow

After the sudden death of her pregnant partner, a closeted attorney must embrace her sexuality and humanity, as she seeks custody of their newborn.

Phuean Rao Lae Nai

A Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Pussy Trash is an ex dancer now invalid that lives with "Grandpa" in their poor home. After finding a video of his youth he will try to find a way to dance again despite his limitations.

Recovering from a heart attack, a workaholic editor recalls the simple days of his youth. Robertson adds an emotional center to this messy, flashback-filled 'heavy' dramatic piece. Plenty of co-star talent.

Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.

Vincent, a reckless French boy, travels to Hungary to liquidate the home of a relative he has never seen. In an apartment cluttered with dusty objects and furniture, he is confronted not only with the past of others, but also with his own present.

In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.

Auksė and her father Saulius arrive at her late grandfather’s house, where Auksė learns that Saulius intends to sell the property. Saulius considers things left at home as junk that needs to be thrown away, while Auksė sees them as memories that shape her entirely different view of the past. Guided by her new-found perspective, Auksė tries to convince her father to reconsider the sale. But the cold relationship between them and the ongoing silent mourning lead to a confrontation where neither side is completely right.

Closing night at a rural bar gets complicated when a blizzard traps a motley crew of misfits overnight.

60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshima, exploded. Named the “Blue Gerboise”, it was the first atomic bomb tested by France, and of hitherto unrivaled power. This 70 kiloton plutonium bomb was launched in the early morning, in the Reggane region, in southern Algeria, during the French colonial era. If this test allowed France to become the 4th nuclear power in the world, it had catastrophic repercussions. France had, at the time, certified that the radiation was well below the standard safety threshold. However, in 2013, declassified files revealed that the level of radioactivity had been much higher than announced, and had been recorded from West Africa to the south of Spain.

In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.

An aging screen icon gets lured into accepting an award at a rinky-dink film festival in Nashville, Tenn., sending him on a hilarious fish-out-of-water adventure and an unexpectedly poignant journey into his past.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day. International Critics Prize at the 1972 Cannes Film Festival. Copy restored in 2012

Childhood best friends Eelu and Manu waste their last afternoon together trapped in the local beauty parlour, drinking, napping and fighting.

An isolated teenager explores the past, his late father, and unstable memory through the use of celluloid on his 16th birthday.