In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
A tense vignette about the fate of an unlucky man in poverty-stricken Weimar-era Germany.
It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.
In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.
Nine part documentary series on the advantages of the Neues Bauen architectural movement, particularly in addressing housing shortages.
A disgruntled teenager, sent to do community service at a rundown Karate school, enters an MMA tournament to face the man who killed his parents.
A young priest named mark is sent as a vicar to a native American village in B.C. Canada, there he learns of faith and humanity, as he watches their culture being torn to shreds.
In this sequel to Nagabonar (1986), the now old Nagabonar was asked to live with Bonaga, his foreign educated son, for a while in Jakarta. This was an effort by Bonaga to ask Nagabonar's permission to turn the family palm plantation into a resort. This outraged Nagabonar since the family cemetery was in the plantation. Distraught, he left his son's house and got himself lost in Jakarta.
321 días en Míchigan
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Postwar Tokyo. Pin and Toku live in the squatter area of Kappanuma. Pin and Toku are avid gamblers. They take in Tsuru, a slightly demented woman who has run away from a geisha house.
In this multiverse comedy about Alzheimer's, Nellie travels through alternate dimensions in search of her husband.
A mild mannered guy is kidnapped and is forced to figure out if his girlfriend put him in this situation in this drama/comedy/romance film.
After his successful first "case", Allmen decides to make finding lost art objects his profession and thus avoid financial misery in the future.
As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.
The door has been closed for many weeks. A teenager has locked himself in - shutting out a helpless father, mother and sister. In Japan, youths like him have already been given a name: Hikikomori (the secluded). The phenomenon is also beginning to spread throughout the Western world. This is all the family has been able to find out. All they can do is stand in front of the locked door and ask, beg, implore, throw tantrums, despair, accuse, ignore and hope. All the while, the door increasingly becomes a mirror of their own lives.
Baby belly or scholarship in the US - in Ella's Baby, the accidental pregnancy of a 16-year-old student turns the life of a patchwork family on its head.
Jonas (Benno Fürmann) and Marit (Maja Schöne) lead an unconventional relationship. They moved from Cologne to Berlin because Marit got a lucrative job there. This makes Jonas temporarily unemployed - but one has to take care of children and household.Talking together, being open and honest and making music together is the basis of this family, where everyone can make their own thing and feel at home at the same time, a family where parents see themselves as life-long companions of their children. This modern family code is put to the test when the couple meets a pioneering agreement after 14 years of relationship -both of them do not want to miss family as it is now , but they do not want to give up their sexual needs completely for the sake of domestic peace.