Sublet

A collection of gay short films. The 7 short films are: Poor Girl! [Pov' fille !] (2003); Oedipus N+1 [Œdipe - [N+1]] (2003); Piglets [Ferkel] (1999); Tommy Trips [Thomas trébuche] (1999); Breakfast? [Frühstück?] (2002); Sunday Morning (2001); The Case of O [Le cas d'O] (2003).

A drag queen embarks on a quest for better workplace rights, but finds herself in a dicey situation when her new lawyer, a tone-deaf straight woman, is revealed to be a drag super fan.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

A collection of gay short films. The 7 short films are: Same Difference (2002); Photo Star [Fotostar] (2003); O Beautiful (2002); Contact (2002); Contradictions (2002); What Grown-Ups Know (2004); Majorettes in Space [Des majorettes dans l'espace] (1997).

Mark and Mary's meet-cute happens at a neighborhood drug store, where she is busy buying a pregnancy test, and he has to make an effort to remind her they met in college. After asking her out, he accompanies her as she takes the test, and upon it showing negative, she agrees to a date. One year later, they have fallen deeply, passionately, head over heels in love, and their whirlwind romance leads to marriage. So when Mary suddenly requests they open their relationship to “ethical non-monogamy”, Mark is taken by surprise, but agrees to try it. And that's where this story really begins.

A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.

Ten lost souls slip in and out of one another's arms in a daisy-chained musical exploration of love's bittersweet embrace. A film adaptation of Michael John LaChiusa's celebrated musical, originally based on Arthur Schnitzler's play, La Ronde.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Amidst her own personality crisis, a southern housewife meets an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in 1920s Whistle Stop, Alabama.

Santuaryo is a movie that centers on the unfolding narration of a young man named Archie (Basti Romero). Archie went looking for a lost treasure when he came into the possession of an ancient map left by an old adventurer. His journey left him battered and cloudy with memories as he was found drifting on the ocean and later rescued by island fishermen. When his long time lover, William (Will Sandejas) arrives at his side, he is forced to painfully recall what happened to him and describes how he crossed paths with a group of boys looking for the same treasure. In the end, Archie realizes what is most valuable in life and it is in his relationship with William that he finds his greatest fortune. Panoramic and provoking. Santuaryo is ultimately a hypothesis about the behavioral mutations of a group of boys when faced with desperate circumstances.

A deeply unbiased factory sorter meets a soul that is unable to be sorted.

Toquinho is a young man living in Marechal Hermes, a poor neighborhood in Rio de Janeiro, together with his widow mother and a younger sister. Although he is poor, he is also ambitious, and wants to change his life. He spends all his time on the beach, at Arpoador, Ipanema, where he dreams to become a famous surfer. Besides, he usually finds Patricia there, a rich and liberated young woman, whom he likes a lot. To impress Patricia and satisfy some of her wishes, he lets himself be seduced by André, a gay guy who, in return for his sexual favors, promises him a trip to Hawaii for a surf championship.

After the death of Lama Dorje, Tibetan Buddhist monks find three children — one American and two Nepalese — who may be the rebirth of their great teacher.

Bwoy follows Brad O’Connor who, after the death of his son, becomes entangled in a chaotic and passionate online love affair with Yenny, a young Jamaican man. With both Brad and his wife Marcia seeking solace in destructive ways, their lives and relationships are pushed to the brink, culminating in tragic confrontations that no one can avoid.

A young man is in a gay bar, eyes turn to him and his gaze turns to another boy. Our protagonist does not seem at all comfortable with the place. What is he looking for in the end?

A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.

A top lad recollects fights, friends and painting his toenails with his dad.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

Katie doesn’t usually sleep with women, but that’s about to change.