510 Meters Above Sea Level

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Lucas needs to get back to New York City with his sister Charlotte. They have vividly memories about their good times together, but he needs to be honest with himself and acknowledge the outcomes of his actions.

A seventeen year old girl who has lived all her life on an island off the coast of Ireland is faced with the choice to remain there or emigrate to America.

Necropolis

Eight-year-old Jesse lives in a twilight world of sadness and silence, squeezed into a tiny caravan with his grief stricken father. They're in limbo, existing more than living. The child intuitively understands that looking forward is harder than looking back, and that's where life happens. But they are stuck, until an accidental friendship with a V8 driving transsexual unlocks the means for Jesse to liberate his father and himself.

Three "meetings." Two men. A rumbling volcano.

In the dog days of summer, two sisters and their mother move into a concrete tower surrounded by farmland as far as the eye can see. Twelve-year-old Violette innocently concentrates her budding desires on Franklin, while Isa, her older sister, staves off her sadness with short-lived romances.

Based on the treatment of Pacific Island families during the New Zealand Dawn Raids of the 1970’s, this short is an intimate look into a police raid, as told through the eyes of a young girl Losa and her father Lupematasila.

Night. A man drowns in a rough sea. A lighthouse guard risks his life to save a drowned man. He gives him food, gives him his bed. When the lighthouse guard falls asleep, the rescued man steals his boat. As the next lighthouse approaches, he submerges the boat and starts shouting for help.

Johan sits on a small jetty by the lake, deep in thought - he is struggling to find the words to say, or the actions to take. Joined by friends Anton and Julie, the trio cycle through the Swedish countryside, and as the sun begins to set, more friends enter the fray, bottles of beer are opened and guitars thrum as the group party into the night. But Johan is still deep in thought. When the sun eventually rises, Johan's fears have long since faded away.

Suryo (25), a thug asking for security money from shops, wants to be closer to Ajeng (24), who is an employee of a used clothing store. Previously, Suryo only know Ajeng by name, nothing more. When on the last day asking for security money, Suryo ventured to get to know Ajeng further. However, Ajeng's indifferent attitude makes Suryo clumsy and almost runs out of topics to talk about. Gradually through the chat, Ajeng slowly opened up. Suryo who is at his wits end starts a chat with his move after this. But unexpectedly, Ajeng also hopes to have the same fate as Suryo. The farewell of the two of them is just ended with Suryo getting the name of Ajeng's facebook account.

Following a shocking on-air disturbance, a curious Stage Manager begins to suspect that something is deeply off about the talk show she works for, and its eccentric host.

On the London Underground, a young man relives past traumas as he endures the sensory overload of rush hour, only to look up and see a young woman at the end of the carriage going through the same PTSD symptoms. Their recognition of each other's condition allows them a moment of peace before the train jolts them back into reality and she disappears at the next platform.

In 1986 Terri had a hit record. Still touring - same tune, same band - she longs for new material, but Paul her guitarist and boyfriend, can't see it. When teenage musician Jack can, she flees her gig on Canvey Island for a one night adventure, and finds her voice at last.

Rubber Duckie is the story of Jesse and Daniel, who on a blazing summer afternoon, are consumed with boredom and push their own limits and boundaries. This leaves us begging the question; is it simple boredom or insatiable innate appetite for more?

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

Cracks are starting to burst in Marina's frozen life, leading towards finding refuge in dangerous places.

Thimbo wants to be a football player. Malik dreams of managing his own business. Demba just thinks of going to a better place.

Rodrigo and Mariano plot a robbery; Rodrigo's station wagon will be the get away car. They dream of their wealth to be. A triangle is established when a whore appears, creating a relation of treason and mistrust amongst them. The prostitute and the drunkard rob Rodrigo and Mariano, leaving them without their dream and everything else.