The life of Mi-sun, an elementary school lunch cook, is somewhat similar to that of her mother. The story of Mi-sun, who is someone's daughter, wife, mother, and friend who has been called a 'feeding lady' after college, when she dreamed of becoming a teacher.
Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
Three people live in Doosan Apartment in Guro-dong. Me, mom, and my grandfather. Even though it has been 12 years since dad died, we are still living under the same roof. I thought it was because of the financial situation that we could not move out of grandfather’s house. But when I found out that mom already had enough money to get a house, I became confused. Why didn’t mom move out from the “x-world” when she could? From a marriage that didn’t work out well, to a father-in-law with a temper. Why has she been enduring it, unchanging, for all the time I had witnessed her life to become a woman against marriage? One day when my anxiousness was at its peak, grandfather suggested that we live separately. Mom, reluctant to leave Guro-dong that she’d been living in for 20 years and her marriage life, will she be able to find herself and move out well?
Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud
The film follows the first days of a newborn horse. The camera records its encounter with the world into which it was born – from its first steps, through joyful galloping, to its initiation as a member of the herd. We see the world from the foal's perspective, with humans serving only as a backdrop for the story of the unique bond between mother and child.
A mother discovers that her son has a disability that causes her breast milk to intoxicate him. But the discovery comes too late to prevent the loss of neurons.
The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.
10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…
The life of Mrs. Bertha Sánchez has changed because of a virus that threatens the world. She, locked in her home, adapts to the important change and the challenge that society suffers. She finally finds a balance in her routine between what appears to be a dark reality and a bright learning opportunity.
Pivetta
"Until one day... when the first shot was fired, everyone had to leave their homes." – In 1975, Ema was awaiting the arrival of her first child, in Angola. However, her tranquility was abruptly interrupted by a force that pulled her from her comfort and changed her life forever.
The remarkable story of Brazilian racing driver Ayrton Senna, charting his physical and spiritual achievements on the track and off, his quest for perfection, and the mythical status he has since attained, is the subject of Senna, a documentary feature that spans the racing legend's years as an F1 driver, from his opening season in 1984 to his untimely death a decade later.
Documentary filmmaker Rebecka Rasmusson becomes pregnant with the man she believes to love, when it turns out that he also has another woman. One evening in front of the TV, Rebecka sees an interview with the 90 year old premier queen Alice Timander who says she never felt loved. Rebecka decides to look her up and together insinuates itself a drama about love, betrayal, being a mother, daughter, and as a woman wearing a dream about making a career.
Peregrina
New light is shed on the complex relationship between Romy Schneider and her mother Magda, a German film star of the 1930s admired by Hitler - who welcomed her and her daughter to his chalet in Berchtesgaden.