The Tortoise and the Hare

Three people live in Doosan Apartment in Guro-dong. Me, mom, and my grandfather. Even though it has been 12 years since dad died, we are still living under the same roof. I thought it was because of the financial situation that we could not move out of grandfather’s house. But when I found out that mom already had enough money to get a house, I became confused. Why didn’t mom move out from the “x-world” when she could? From a marriage that didn’t work out well, to a father-in-law with a temper. Why has she been enduring it, unchanging, for all the time I had witnessed her life to become a woman against marriage? One day when my anxiousness was at its peak, grandfather suggested that we live separately. Mom, reluctant to leave Guro-dong that she’d been living in for 20 years and her marriage life, will she be able to find herself and move out well?

A mother discovers that her son has a disability that causes her breast milk to intoxicate him. But the discovery comes too late to prevent the loss of neurons.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

‘Over the course of several summer days in Split I talked to my mom about everything. I mean, really everything.’

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

François Delisle draws an intimate portrait of his mother in a nursing home. A chronicle of the daily life and medical care of a woman approaching the end, treated with love, respect and dignity.

Seven strangers are interviewed to talk about the relationship they have with their mother.

The remarkable story of Brazilian racing driver Ayrton Senna, charting his physical and spiritual achievements on the track and off, his quest for perfection, and the mythical status he has since attained, is the subject of Senna, a documentary feature that spans the racing legend's years as an F1 driver, from his opening season in 1984 to his untimely death a decade later.

An informational documentary that invites you to explore another side of pregnancy and childbirth which is not often shown in the mainstream media. In this documentary we take a look at the Midwifery Model of Care, show and tell what a birth center is and what one can expect with an out of hospital birth experience. We answer the most common questions and address the concerns most people have about out of hospital births. We also discuss C-section, VBAC, ICAN, Interventions, the importance of a proper diet during pregnancy and more. We hear three women share their personal birth stories; In and out of hospital experiences. This documentary is full of good information and is a must see for all women of childbearing age interested in pregnancy and childbirth, regardless of where they choose to give birth.

In August 2020, Olympic artistic swimmer Ona Carbonell became a first time mother, an experience that reshaped her life overnight.

Ninlawan Pinyo is the matriarch of a Thai American family, who hustled for her fortune by founding a naem pork sausage factory in Chiang Mai, Thailand.

Calling Mother is about the moments when you just have to call your mum. It is a compilation of phone calls made by different people to their mothers. Film follows the lifespan of a human being from youth to adulthood, a child changing from a dependent to a caretaker. Phone calls are connected by images of an old telephone center and a story of a young mother who doesn’t have a mother to call.

After a routine partial hip replacement operation leaves his mother in a coma with permanent brain damage, what starts as a son's video diary becomes a citizen's investigation into the future of American health care.

A story about the special relationship between Jaana and her daughter Liisa who died in a traffic accident at the age of 16.

"WŁODZIMIERZ"

Eulália, a conservative Portuguese mother, found out that her son who emigrated to Germany has become Fostter Riviera, the internationally awarded first Portuguese gay porn actor. She suffers with the distance, sometimes toned down through the computer that has become her main source of information and communication with her son. This documentary focuses on the long journey of this mother towards acceptance and endeavour to get closer to her son.