The Very First Desire Now and Forever

The two of them, all alone at home. All alone with her father's corpse. Memories, ideals, and reality all sink beneath the muck. Everyone is alone. Everyone is in solitude.

A small white box. Everything happens in that little world. A woman's face comes out from the side of the room and roars, birds peck at human flesh, trains run through, and a couple quarrel begins. When the billiard ball penetrates the room, the billiard ball changes into various shapes ... Each room is a world, and what happens there is a microcosm of modern times.

Remake of the 1960 film with the same name in color that tells the story of a man and a woman who go by raft to a remote desert island with chickens and a dog. At first, it is a kind of paradise for them. They farm and fish following the same routine every day, feasting on grilled sanma that they roast out in the open. One day, their harmony gets interrupted by a mustachioed scientist on a raft powered by an abused pig. This unwanted visitor constructs a robot which begins the process of industrialization on the island. The couple are disgruntled but decide to put up with the man and his technology.

On an everyday train journey quite unlike any other, a not-so-casual observer goes to extreme lengths to avoid other passengers, a giant baby runs away from his parents, a romantic woman starts an ill-fated relationship with a cuckoo, and a naïve boy discovers that some problems can’t be fixed by pictures of unicorns.

Who’s afraid of the big bad wolf? "Not I!" answer the first two brothers as they build their new homes -- one made of straw and the other of sticks. But when the wolf huffs and puffs and blows down their houses, the brothers seek protection in the third pig’s house, very wisely made of bricks. Will the three little pigs finally be safe once and for all? Bonus shorts include: The Big Bad Wolf, Three Little Wolves, Lambert The Sheepish Lion, Chicken Little, Three Blind Mouseketeers, and Elmer Elephant.

A soldier lands on an island and storms it. Only finding it defended by sheep and one old shepherd he claims it on behalf of his king and country. The shepherd though, doesn't seem that bothered and is happy just to see where it goes.

The bridge as the channel between worlds: between the living and the dead, between male and female, between sacred and profane.

The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.

Minimalistic abstract hand made animation from the award winning Mirai Mizue.

Abstract short film, the first "lightning doodle" film by Tochka.

A horror take on the classic tale of Snow White.

Mirai Mizue continues his experimentation with music and movement in his latest "cell animation," Tatamp. Not to be confused with the animation technique of "cel animation," Mizue’s unique style of "cell animation" is hand-drawn and colored on paper then scanned onto the computer for editing. The name refers to the fact that the creatures that he draws resemble amoeba and other minute organic creatures one might find under the lens of a microscope.

A short segment of the feature film Melody Time, re-released as a separate entity five years afterwards.

A dog, Popi, and a monkey named Huhuu are waiting for their Master to come home. But one day it becomes clear that he’s not going to be coming home anymore. From that day their mutual lives begin. While he is actually smarter and stronger than his simian companion, Popi capitulates to every one of Huhuu’s whims in a show of obedience and subservience. Huhuu meanwhile becomes a symbol of licentiousness and tomfoolery. The film is based on the short story "Popi and Huhuu" by Estonian author Friedebert Tuglas.

In this evocative film about the eternal human search for home, Berta and Solomon arrive in a land that promises respite from their many journeys. But have they found utopia... or just another stop on their long journey?

The Clock is Ticking transports its audience into a collage of creative multimedia animation. This short animated film explores the passage of time. Angst grows stronger as Emily questions her purpose in a waiting room, surrounded by strangers with a similar destiny. At the sight of a teddy bear sitting alone on a chair, Emily can’t help but identify with the plushie. She dives deep into her subconscious, reliving her past and expanding into a potential future doomed to destruction. Time doesn’t wait, and the clock keeps ticking. Faced with this realization, Emily snaps out of her dream, deeply changed. She grabs the plushie and escapes the waiting room in a hysterical demonstration of freedom. Emily will no longer wait !

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

Spring Festival

A short film by Furukawa Taku.

A short animated film by Furukawa Taku