log 2

A walk through England’s south coast evokes the artists who lived and worked there.

The Separation is a reflection on light, duration and transformation. Filmed in one continuous take at a constant aperture, moonlight on the sea surface is intermittently revealed and obscured by clouds, presenting a reflexive and phenomenological viewing experience.

In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8th birthday.

First, I wanted to make a kind of reflexively impoverished Busby Berkeley extravaganza. Second, I was interested in juxtaposing two cultural artifacts–which could be schematized as East/West, socialism/capitalism, propaganda/entertainment, as well as image/sound–and see how they reverberated. In other words, I wanted to make an essay out of things, as well as a communist musical. But the question arose–what was the ideology of such film play? Is MISSION TO MONGO aestheticized politics or political art? –J. H.

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Short experimental film by British artist Lucy Gunning, featuring the artist herself climbing on and around her studio walls.

Attempt of the artist's detached view of what is happening in the world.

Alexander V. Men was a Russian Orthodox priest, theologian and writer, whose influence is felt among Christians, both in Russia and abroad. He was murdered on September 9th, 1990.

Elle is an experimental dance film shot in a semi industrial landscape in Brooklyn reflecting on every day movements of falling and getting up.

Cindy sits down for a normal Sunday dinner when a series of strange events lead her to question the state of her being and morality.

A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.

A man faces a life-changing decision to make; one of the two choices that could make a huge impact to his life.

It’s New Year’s Eve and while the Brussels’ city streets are teeming with drunken revelers, the paths of two solitary souls will cross. Max, a poor sod, is drowning his existential confusion in alcohol. Julie, a young woman, finds it impossible to reconcile herself with the bitter realities of her life. But on this festive night, they’ll try to put aside their personal mess and painful pasts. Unfortunately, that past remains hot on their heels. Max’s urgent money needs drove him to commit a robbery with a trio of idiots. Juliette missed a meeting with a bottle of sleeping pills and feels the urge to try again if she can’t find anything worth living. The clock is ticking away to midnight. Whatever happens, there will be fireworks!

“A portrait of Carla Liss, evoking the atmosphere of the old horror films we both loved.”

1-channel film installation (21‘20‘‘). 2.00:1 aspherical widescreen, stereophonic sound. A wife waits for her dead husband. An adaption of three japanese poems in three different translations. An examination of waiting and the slowness of time. An exercise in slow cinema.

Fragmentum Cinema: Sueños

Ian Haig’s The Foaming Node essays the discovery and emergence of new bodily organs in meticulous and captivating detail. We follow the last remaining observers, members of a cult of sorts, who have experienced both the transmissions of The Foaming Node, and their own personal and strange bodily transformations. They discuss exactly how the changes associated with The Foaming Node have affected them, telling fascinating, visceral, detailed tales that reach beyond science, alternative medicine, and corporeality.

In 2013, Lei Lei and Thomas Sauvin collected numbers of black-and-white photos from Chinese flea markets and imagined that all of them belonged to one fictional Chinese person. Through rendering, collage, and a cyclical process of hand coloring, scanning, and printing, connections among the photos were created.

The film was made in the days of the August 1991 coup in Leningrad, USSR . Respecting the manner of a proprietary parallel cinema with the use of hand-held camera . Subsequently, Lars von Trier in his " Dogma " went on the same way , using a handheld camera without a tripod or placing special light. The soundtrack of the film is the soundtrack Emergency Committee appeal for the All-Union Radio August 19, 1991 . The film captured the moment of change red tricolor flag on the roof of the Mariinsky Palace on August 20, 1991.

Cassette-Television