Han-sung runs into his ex-girlfriend Soo-young after taking a year off from university. Unfortunately she has a new boyfriend Se-won, who is a director of a graduation film which Han-sung is supporting.
Gayoung, a director, expects to hear a farewell confession from her boyfriend, who's an actor. (Part of "100인 X 100초영화 프로젝트", a project dedicated to celebrate 100 years of South Korean cinema.)
Min-kyung takes the lead role in a short film. As time goes by, the scene is twisted, and the minute cracks between Min-kyung and director begin.
Slaughter Studios has a legendary reputation as the place where a slew of classic low-budget horror movies were made. Long since abandoned and now in ruins, a group of aspiring filmmakers led by director Steve decide to break into Slaughter Studios so they can shoot one last B-grade creature feature on the premises before it meets the wrecking ball. However, things go awry when Slaughter Studios proves to be the stalking grounds of a vicious psycho.
TV child star of the '70s, Dickie Roberts is now 35 and parking cars. Craving to regain the spotlight, he auditions for a role of a normal guy, but the director quickly sees he is anything but normal. Desperate to win the part, Dickie hires a family to help him replay his childhood and assume the identity of an average, everyday loser.
Two lifelong friends bond whilst vacationing in a luxury Swiss Alps lodge as they ponder retirement. While Fred has no plans to resume his musical career despite the urging of his loving daughter Lena, Mick is intent on finishing the screenplay for what may be his last important film for his muse Brenda. And where will inspiration lead their younger friend Jimmy, an actor grasping to make sense of his next performance?
In a touring Shakespearean theater group, a backstage hand - the dresser - is devoted to the brilliant but tyrannical head of the company. He struggles to support the deteriorating star as the company struggles to carry on during the London Blitz. The pathos of his backstage efforts rival the pathos in the story of Lear and the Fool that is being presented on-stage, as the situation comes to a crisis.
Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.
A man finds out that his boss had a quarrel with his wife, so he now tries to present her as his housemaid.
The story deals with moving picture life, much of the locale being around Universal City. Herbert Rawlinson, played by himself, is introduced in his dressing room and is shown later doing the usual day's work on the stage. During a visit to the studio a young lady becomes infatuated with him leading to complications and humor.
A disillusioned and depressed film director is forced to confront his lack of humanity through his involvement in the death of a young actress and the suicide of her husband.
The travails of a third-rate traveling theatre company and its wardrobe lady / maid who dreams of stepping in as their melodramatic production's (Flaming Women) female lead.
Rêver sa Vie
A journalist interviews a world-renowned conductor to lead her to more than just a story on paper. Available on Amazon Prime Video (USA)
POLAROID - Nel tempo di un ricordo
A few Russian guys are trying to steal a new film by Quentin Tarantino, but not only to sell it, but to show the never-before seen film on a wedding of their friends. Certainly a lot of interesting stuff happens to them on their quest for the movie.
As a filmmaker and his girlfriend return home from his movie premiere, smoldering tensions and painful revelations push them toward a romantic reckoning.
A con artist poses as a film director in a village with the intention of executing a caper with the unwitting help of the villagers.
During a film shoot where abuse is disguised as artistic direction, a comeback actress commits a devastating performance to survive, exposing how cinema can construct and legitimize violence. In Ang Lihim ni Teresa (Teresa's Secret), she enters a set where authority is absolute and cruelty is framed as discipline. As production unfolds, she loses control over body, emotion, and authorship, where survival is mistaken for consent. When violence escalates, she chooses to live, burying the truth as the director’s collapse is rewritten as myth. The set becomes a crime scene without witnesses. In the aftermath, she is praised for her “courage” while a sound technician retreats into silence. At a commemorative screening, celebration fractures, revealing cinema’s ability to transform violence into narrative and absolution. The myth of the Kataw appears briefly through Ang Lihim ng Kataw (The Secret of Kataw).
A self-destructive punk rocker struggles with sobriety while trying to recapture the creative inspiration that led her band to success.