Historias de Cronopios y de Famas

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

In the Araucanía Region, an area marked by historical relations between Mapuche and non-Mapuche people, the shooting of a police officer results in the death of a young Mapuche man. On the other hand, a community member who has been sentenced to 10 years in prison has been on a hunger strike for over one hundred days. In the background, we have the experience of Aniceto Norin, a Longko who has spent five years in prison for the crime of "Terrorist Threat," whose account allows us to understand his thoughts and the impact of assuming his role and his Mapuche identity.

Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.

Arya (26), a Javanese man from a dating agency who was in the middle of a matchmaking session, was interrupted by an elder dancing community who were karaoking with loud music. Jojo (23), Arya's coworker, suggests buying a silencer, but they don't have enough cash to buy one. Soon, an old Chinese man, Yongki (65) signs up as a client who is willing to pay extra to find his daughter Leoni (26) a Chinese match, who turns out to be Arya's girlfriend.

On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

Patagonia, Argentina, 1880s. During the Conquest of the Desert, Marguerite, the French wife of Colonel Garay, in charge of protecting a new railway, discovers that a French woman is being held captive by the local natives.

Il était une fois... « La Conspiration du Caire »

Carlos, a ruthless Spanish negotiation expert working in Brussels, is tasked with handling the kidnapping of a senior oil company executive in a troubled West African country —with which he has old and deep ties—, torn by ethnic tensions and government abuses.

Two amateur art critics meet in a gallery and argue passionately about the pieces they see, until finally they find a piece on which they can agree...

DON'T BE SHY

In "A Pond Full of Pigs", Rags causes a disaster when he mistreats someone's Pig Horn, and in "Patches' Present", Patches' birthday surprise is ruined until the gang runs into a room of elephants.

An installment of the Aesop's Film Fables series in which a mouse earns the respect of a lion by freeing it from a hunter.

PriPara & Kiratto Pri☆Chan Movie: Kirakira Memorial Live

Adapted from a Masai folktale about a rabbit who can't get into her house because the Long One, who "eats trees and tramples on elephants, " is hiding inside. This animated production is presented as a play performed by Masai actors wearing animal masks.

An endearing adventure when a boy decides a penguin would make a fantastic pet! An animated film based on the Caldecott Honor and New York Times Bestelling book written by Tony Buzzeo and illustrated by David Small.

When self-centered Emperor Kuzco is turned into a llama by his scheming advisor, he is forced to rely on good-hearted peasant Pacha to get back home.

A widowed field mouse must move her family -- including an ailing son -- to escape a farmer's plow. Aided by a crow and a pack of superintelligent, escaped lab rats, the brave mother struggles to transplant her home to firmer ground.

Bayaya, a young peasant, protected by the spirit of his dead mother, arrives at the castle of the King, where he entertains his three daughters. He soon realizes that the three princesses are nagged by evil spirits. The little peasant manages to rid them of them, fights a duel with a wicked lord who wanted to marry one of the three princesses. He finally wins the heart of the youngest sister while saving the soul of his mother who was in purgatory.

The first Czech cartoon based on a fairy-tale about grandpa, grandma, their granddaughter, dog and cat who all wanted to pull a big beet out from the ground. The picture shows children that a big task can only be fulfilled by joint effort.

The second cartoon by Jiri Trnka that was a sensation at the festival in Cannes in 1946 when it defeated the world animation elite of the time. It is a musical fairy-tale based on a famous folk story about animals that deterred thieves.