Modern Whore

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

From the lens of its alumni, this film chronicles about the history of Marching Band Korps Putri Tarakanita, a marching band extracurricular that continues its legacy to this day.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Make-up and cleats are not mutually exclusive for the soccer players from "Agrispor". In "Mädchen am Ball", Aysun Bademsoy accompanies five young Turkish women on their way up in a women's soccer team in Berlin.

This short documentary is about newcomers to Canada and what they eat. Funny, mouth-watering and visually delectable, it takes us into the specialty food shops where the ingredients are bought, and into the homes where the food is prepared and served in the traditional way.

While a mother is in intensive care with little hope of survival, her son is on another continent without the possibility of seeing her. Combining subconscious memories of his mother in induced coma with images of his constant house moves all the while, the director composes an essay-letter on death, family and distance.

After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.

The Filippov family live in the north of Russia, far from civilisation. Despite the lack of modern conveniences, they live in harmony with nature, create art, support and understand each other like no other people in this world.

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

The film is about Russian silent movie star Alexandra Khokhlova. She was the first Soviet blacklisted actress. In her 90es, Khokhlova acts in this extraordinary documentary: she acts herself. Film critics recognised her appearance here as the last and brilliant role of great actress.

The story of a county-side doctor, extraordinary woman, to whom the villagers turn not only in case of medical help, but also to have a piece of good advice.

Each portrayed painter produced an experimental animated short film to be featured in this film. A short film by Herbert Seggelke.

How to be a documentary filmmaker in the UK? It's all about what hotel bar you know. A video essay about the accessibility of film festivals, focused on the 2018 edition of Sheffield Doc/Fest.

Documentary

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

This 2010 interview with writer-director Guillermo del Toro, conducted by Javier Soto, explores the influence of the Spanish Gothic genre on 'The Devil's Backbone' and del Toro's 2006 Academy Award-winning feature, 'Pan's Labyrinth'.

During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.

Spring 2017, in between the two rounds of the French presidential election. Pierre, a 25-year-old scholarship holder studying in a big Parisian school, lives with 75-year-old Francine, who is disabled and wheelchair-bound. Politically and socially opposed, they are perplexed and disoriented as they witness the unfolding electoral spectacle. While waiting for the results, they engage with each other, as Pierre tries to take care of Francine’s body and she attempts to heal his voiceless resentment.

A paradise that is buried and forgotten after passing