Oasis - Live at Earls Court in 1995

Metallica at Cidade do Rock, Rio de Janeiro, Brazil on September 19, 2013. Setlist: 1 - The Ecstasy of Gold (Ennio Morricone song) 2 - Hit the Lights 3 - Master of Puppets 4 - Holier Than Thou 5 - Harvester of Sorrow 6 - The Day that Never Comes 7 - The Memory Remains 8 - Wherever I May Roam 9 - Welcome Home (Sanitarium) 10 - Sad but True 11 - ...And Justice for All 12 - One 13 - For Whom the Bell Tolls 14 - Blackened 15 - Nothing Else Matters 16 - Enter Sandman Encore: 17 - Creeping Death 18 - Battery (Without Intro) 19 - Seek & Destroy (with "The Frayed Ends of Sanity" outro jam)

Kendrick Lamar, DJ Mustard and various other artists perform in a concert at the LA Forum celebrating Juneteenth and West Coast hip hop.

At the peak of their success, the lead singer of ‘Black Country, New Road’, Isaac Wood, left the band. This concert film documents the group’s triumphant return at three consecutive shows in Bush Hall, performing new music centered around recovering from loss and their continuing friendship.

Love Live! Sunshine!! Aqours EXTRA LoveLive! ~DREAMY CONCERT 2021~ was Aqours' live concert that took place at PIA ARENA MM in Yokohama on December 29 and 30, 2021.

Set 1: New Speedway Boogie (Grateful Dead cover) They Love Each Other (Jerry Garcia cover) Mama Tried (Merle Haggard cover) Easy Wind (Grateful Dead cover) Ramble On Rose (Grateful Dead cover) Dear Mr. Fantasy (Traffic cover) (>) Hey Jude (The Beatles cover) Bird Song (Jerry Garcia cover) Set 2: Sugaree (Jerry Garcia cover) St. Stephen (Grateful Dead cover) (>) William Tell Bridge (Grateful Dead cover) (>) The Eleven (Grateful Dead cover) Iko Iko (Sugar Boy and His Cane Cutters cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) I Need a Miracle (Grateful Dead cover) (>) Wharf Rat (Grateful Dead cover) Casey Jones (Grateful Dead cover) Encore: Black Muddy River (Grateful Dead cover)

Set 1: Hell in a Bucket(Grateful Dead cover) Alabama Getaway(Grateful Dead cover) Jack Straw(Grateful Dead cover) Big Boss Man(Jimmy Reed cover) Peggy-O([traditional] cover) Bertha(Grateful Dead cover) (>) Cassidy(Bob Weir song) Don't Ease Me In(Henry Thomas cover) Set 2: Viola Lee Blues(Cannon’s Jug Stompers cover) (>) Truckin'(Grateful Dead cover) (>) China Doll(Grateful Dead cover) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Althea(Grateful Dead cover) (>) Standing on the Moon(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) Encore: The Weight(The Band cover)

Set 1: Good Times(Sam Cooke cover) Big River(Johnny Cash cover) (tour debut) Friend of the Devil(Grateful Dead cover) They Love Each Other(Jerry Garcia cover) Black-Throated Wind(Bob Weir song) (tour debut) Big Railroad Blues(Cannon’s Jug Stompers cover) Dark Star(Grateful Dead cover) (verse 1) Johnny B. Goode(Chuck Berry cover) (tour debut) Set 2: Eyes of the World(Grateful Dead cover) (> 'Dark Star' verse 2) Fire on the Mountain(Grateful Dead cover) Shakedown Street(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) The Eleven(Grateful Dead cover) (>) Death Don't Have No Mercy(Reverend Gary Davis cover) (>) Going Down the Road Feeling Bad([traditional] cover) Encore: Knockin' on Heaven's Door(Bob Dylan cover) (Bobby on acoustic guitar) (tour debut)

ABBA's 1979 tour of North America and Europe, with emphasis on performances at Wembley Arena, London.

In January 1985 in California, Tina received two awards at the American Music Awards: one for "best female singer" and the other for "best video actress." A month later, at the Grammy Awards, Tina took the stage three times: as "Best Singer", as "Best Rock Singer" and as Creator of "Best Song." The disc features one of Tina's best concerts at the peak of her popularity

Set 1: Good Times(Sam Cooke cover) Scarlet Begonias(Grateful Dead cover) (>) Deal(Jerry Garcia cover) Black-Throated Wind(Bob Weir song) Dire Wolf(Grateful Dead cover) Bird Song(Jerry Garcia cover) Going Down the Road Feeling Bad([traditional] cover) Set 2: They Love Each Other(Jerry Garcia cover) (>) Terrapin Station(Grateful Dead cover) (>) He's Gone(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'The Other One' verse 2 >) Days Between(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Encore: One More Saturday Night(Bob Weir song)

Set 1: Hell in a Bucket(Grateful Dead cover) Sugaree(Jerry Garcia cover) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Mr. Charlie(Grateful Dead cover) Friend of the Devil(Grateful Dead cover) (>) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) Set 2: Samson and Delilah([traditional] cover) Playing in the Band(Bob Weir song) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Death Don't Have No Mercy(Reverend Gary Davis cover) Throwing Stones(Grateful Dead cover) Sugar Magnolia(Grateful Dead cover) Encore: Werewolves of London(Warren Zevon cover) (> 'Playing in the Band' reprise)

Obituary: Hellfest 2015

A one-night live show performed by Sheena Ringo at the Kaho Theater in Iizuka City, Fukuoka. A video recording of the event was released on DVD by EMI Music Japan on September 17, 2008, as part of the celebration for the 10th anniversary of Sheena's debut. The scenic design and stage effects incorporated shōji (the traditional sliding door of translucent paper) and other Japanese-style effects. Sheena and members of the backing band, Gyakutai Glycogen, were all costumed in yukata (traditional cotton kimono). As part of the stage performance, Sheena crucified a mannequin dressed in the image of her bandage-like costume from her previous nationwide tour "Gekokujou Xstasy."

The seminal live performance by The Strokes, performing on a brightly lit-stage before an intimate audience at Zoetrope Studios in Los Angeles.

hololive 3rd fes. Link Your Wish is a live concert held by Hololive Production on March 19-20, 2022 at Makuhari Messe Event Hall alongside Hololive Super Expo, featuring all members of Hololive 0th Generation, Hololive 1st Generation, Hololive 2nd Generation, Hololive Gamers, Hololive 3rd Generation, Hololive 4th Generation, Hololive 5th Generation, Hololive Indonesia 1st Generation, and Hololive English -Myth-.

Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.

hololive 3rd fes. Link Your Wish is a live concert held by Hololive Production on March 19-20, 2022 at Makuhari Messe Event Hall alongside Hololive Super Expo, featuring all members of Hololive 0th Generation, Hololive 1st Generation, Hololive 2nd Generation, Hololive Gamers, Hololive 3rd Generation, Hololive 4th Generation, Hololive 5th Generation, Hololive Indonesia 1st Generation, and Hololive English -Myth-.

30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe.

SET 1: Set Your Soul Free, Tube, Stash, Pillow Jets, Steam, Mountains in the Mist, Taste, 46 Days SET 2: Sigma Oasis > Fuego > Golden Age -> Twist, I Am Hydrogen > Chalk Dust Torture > Say It To Me S.A.N.T.O.S. ENCORE: A Life Beyond The Dream, Tweezer Reprise

Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.