Unemployed Clown at Home

Set one year after the events of Hell House LLC II, the hotel is on the verge of being torn down when it is purchased by billionaire Russell Wynn as the new home for his popular interactive show, Insomnia. He invites journalist Venessa Sheppard and her crew to record everything happening inside the hotel leading up to the performance - but they soon encounter a more nefarious plot, one that threatens to unleash a veritable hell on earth.

An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.

A group of "Ghost Hunters" coming back from an old ghost town and a bachelorette party returning home from Las Vegas stumble across the "Clown Motel" located in the middle of nowhere. Though no one is there to greet them, the two groups decide to stay for the evening. After a wild night of partying, they awake to find their vehicles sabotaged, leaving them stranded, left to discover if this motel is truly abandoned, or if it is home to souls of the clowns who once lived there.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

After Emily rejects Jacob and tells him she is gay, Jacob becomes engrossed in an alt-right, incel podcast, that is able to speak directly to him. The podcast's requests of Jacob slowly become more and more disturbing, leaving Emily with a difficult decision.

Camila Decide Matar

Alana and a group of college seniors board a party train for a Halloween-themed bash, but their fun spirals into fear when a mysterious assailant begins killing the passengers one-by-one.

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

An artist who purges her fears through painting is terrified to discover that her nightmarish creations have taken on a life of their own.

Dracula leads vampire hunters Father Uffizi and Luke back to Eastern Europe, and a country plagued by civil war.

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

The fourth installment in the Terrifier franchise. Plot TBA.

Live, documented at Chicago's Vic Theatre in April of 1996. 1 Thumbscrews 2 Fly On The Wall 3 Mailman 4 Destroy Before Reading 5 Thumper 6 Bloody Mary 7 Wheelchair Epidemic

Three teenagers skip school in order to explore an abandoned film studio lot where they catch sight of a woman being dragged by a masked man.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

At night, in the dark recesses of the woods, a male cellist lures in viewers with a performance of Bach's "Cello Suite No. 1 in G Major." It stars Paul McCoy Drutz-Hannahs, a professional cellist with the Johns Hopkins University Orchestra.

Fifty years have passed and Julio still hasn't managed to get over the disappearance of Miguel, the actor starring in a film they made together when they were young. In an attempt to reconstruct what happened, Julio sees some tapes he filmed while they were shooting and decides to write a farewell letter to Miguel's ghost.

A woman in a nurse’s outfit sits in a dark room. She kneels on a mat and looks over a knife, touching it with her fingers and examining it. She runs the knife over her stocking clad legs and contemplates suicide. She plunges the blade into her abdominal region and pulls it across.

A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.