Unemployed Clown at Home

Aliens disguised as clowns crash land on Earth in a rural town to capture unsuspecting victims in cotton candy cocoons for later consumption.

A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.

In an apartment, a party is in full swing. Sitting on a sofa, Perez is hypnotized by a group of four girls facing him.

In Florida, parents can hire Wrinkles the Clown to scare their misbehaving children.

Recovering addicts meet every week in a local community center to share coffee, cookies, and stories of the ups and downs of their recovery process. When one newcomer, Paul, reluctantly attends the meeting and is forced to face his relationship to alcohol - as well as his father - things take a dark, unexpected turn.

Tony's father Sam, abducted by aliens three years earlier, returns to earth and seeks out his wife and son, but Rachel has since been living with Joe and the reunion is awkward. Joe doesn't trust Sam, and Rachel can't quite decide what her feelings are for her two men. Sam is not the same as when he left, and he begins affecting Tony in frightening ways.

A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

A group of "Ghost Hunters" coming back from an old ghost town and a bachelorette party returning home from Las Vegas stumble across the "Clown Motel" located in the middle of nowhere. Though no one is there to greet them, the two groups decide to stay for the evening. After a wild night of partying, they awake to find their vehicles sabotaged, leaving them stranded, left to discover if this motel is truly abandoned, or if it is home to souls of the clowns who once lived there.

In 1973, two teens come face to face with a brutal clown masked killer that has an unlikely weakness.

Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."

When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.

When a vintage Jack-in-the-box is opened by a dying woman, she enters into a deal with the demon within that would see her illness cured in return for helping it claim six innocent victims.

Set one year after the events of Hell House LLC II, the hotel is on the verge of being torn down when it is purchased by billionaire Russell Wynn as the new home for his popular interactive show, Insomnia. He invites journalist Venessa Sheppard and her crew to record everything happening inside the hotel leading up to the performance - but they soon encounter a more nefarious plot, one that threatens to unleash a veritable hell on earth.

Dracula leads vampire hunters Father Uffizi and Luke back to Eastern Europe, and a country plagued by civil war.

A former circus artist escapes from a mental hospital to rejoin his armless, cult leader mother, and is forced to enact brutal murders in her name.

An artist who purges her fears through painting is terrified to discover that her nightmarish creations have taken on a life of their own.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Three teenagers skip school in order to explore an abandoned film studio lot where they catch sight of a woman being dragged by a masked man.