Fröken Julie

Lo Schiaccianoci al Teatro alla Scala

A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.

To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.

Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.

Recorded at the Teatro Alhambra on May 10 and 11, 2023.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

On Christmas Eve, young Clara receives a nutcracker doll and drifts into a dream where toys come alive. Guided by the transformed nutcracker prince, she moves through a world of toy soldiers, rats, and magical creatures, facing her fears and desires. Snowflakes, flowers, and fantastical landscapes frame a vivid choreography set to Tchaikovsky’s iconic score.

An elegant, powerful and sometimes provocative look at life and death presented in BalletBoyz’s inimitable style.

Fourteen Days is a thought-provoking exploration about the methods artists employ to create their work. Given just fourteen days, 4 internationally acclaimed choreographers worked with 4 world-renowned composers to make 4 new commissions that challenge and stimulate both the audience and the dancers. Highlighting the diversity of styles and approaches, the show plays with the concept of balance and imbalance and proves to be an exciting, varied programme of dance and music.

Swan Lake, a screen adaptation of the ballet of the same name by Pyotr Tchaikovsky. Performed by Kirov Ballet, starring Yelena Yevteyeva as Odette and directed for film by Appolinariy Dudko and Konstantin Sergeyev. Produced by Lenfilm studios in 1968. Orchestra of the S.M. Kirov Leningrad Academic Opera and Ballet Theater, conductor Victor Fedotov. Ballet dancers of the Leningrad State Academic Theater of Opera and Ballet named after S.M. Kirov and students of the Leningrad Choreographic School M. Agrippina Vaganova took part in the film. Golden Orchid Prize - Grand Prix at the VIFF of ballet films in Genoa, Italy (1969).

With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?

Bolshoi Ballet stars Vladimir Vasiliev and Ekaterina Maximova dance this 1982 performance of "Anyuta," the story of a small-town woman who purposely marries above her social status only to learn that popularity comes with a price. Maximova performs the role of Anyuta; Vasiliev plays Anyuta's drunk father.

Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wright’s sensitive staging and John Macfarlane’s designs, which beautifully contrast the human and supernatural worlds – mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House

It’s 2019 in Boston, MA, and 18-year-old Billie, a pre-professionally Vaganova-trained ballet dancer, has four months until her final pas de deux exam. She has one goal: to be better than Gia, the best dancer in the class, a ballet “unicorn", and the girl who just became Billie's new roommate. Is it just rivalry and envy, or is there something else at play?

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.

For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.