In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.
Chisato is a beautiful 35-year-old writer, who looks like 18, and the father of Riju, a cute 15-year-old boy. Chisato's hobby is to drive away all of Riju's friends because he thinks they want to corrupt his precious child, so he shows his good side to these boys while he poisons the cake he brings them with a smile; however, there is one guy, Shunsuke, who doesn't fall for the tricks. But is Shunsuke really aiming for Riju? Who is that mysterious writer Chisato loves so much? And why is Chisato convinced that Riju's friends want to take advantage of him?
When Alexandria Smith, a non-binary manic playwright gets nullified due to a social media video they must return home and face their crumbling relationships. A modern LGBTQ adaptation of Anton Chekhov’s “The Seagull” for a new generation.
One late summer. Yuko has a cold and doesn't go to school. She waits for someone in a strange neighborhood until sunset.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
Let BOYS ON FILM move, inspire and uplift you with this stunning collection of 11 new gay short films, marking the final physical edition of the series. The 11 short films are: We Collide (2023); Firsts (2022); Sea Sparkles [Noctilucas] (2022); Aloof [מנגד] (2020); The Rev (2021); Prelude [Preludio] (2019); Beautiful Stranger (2021); You Like That (2023); Thursday, Friday, Saturday [Jeudi, vendredi, samedi] (2021); The Unknown Man [L'homme inconnu] (2021); S.A.M. (2020).
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
A theoretical physicist discovers his life is in danger when he comes home to find two future versions of himself.
Fifteen year-old Jack is forced to come face-to-face with his growing romantic feelings for his best friend Danny.
On the eve of his wedding Daniel meets again with his true love-his identical twin brother Jan. For the last five years he's been running away from his feelings. Now, on his stag night he is being tested once more.
According to the buttered-cat paradox, cats always land on their feet while buttered toast always lands buttered side down. But if we put a piece of buttered toast on the back of a cat with the buttered side up, and only one will land, which one will that be? Chen Tzu Chen was stood up by his boyfriend Lei-Wang on their third anniversary. While the wedding day of Lei and Hsu Nai Fang is getting closer, Tzu Chen and Lei’s relationship seems to be more tense. However, Tzu Chen can't take it anymore.
In a frozen town unwilling to stagnate, a middle-aged man meets true love and decides to come out of the closet. A lesbian couple decides to look for a gay man to marry and have a child. Behind their fiery love stories is an absurd drama of identity politics. The ghost of communism often wanders around the lonely souls.
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
Ha-jun always engross his friends love with his good looks. Min-woo, a close friend who is jealous of Ha-jun, summons a devilish ghost, but the ghost who fell in love with Ha-jun spends a hot night with Ha-jun every day. Looking at Ha-jun who looks happy after all, Min-woo is planning another curse.
Dong-sik and Sung-woo, they're best friends. Sung-woo is dying with late-stage liver cancer. Sung-woo, being drunken, confesses that he has been loved Dong-sik's wife, Sujin for a long time.