2x Bail

An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.

A lyrical documentary on the lives of Coal miners in the Donbass who are struggling to meet their production quotas under the Five Year Plan.

Since the 1970s and the influx of European, Chinese, Russian, and Turkish trawlers, West African waters have been overexploited. Whether for fishing or fishmeal production, these foreign powers have endangered the livelihoods of local fishermen and artisans.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

Cargos - Dans les soutes de la mondialisation

It's the musical phenomenon of the moment: K-Pop, short for "Korean Pop," has taken the world by storm in just a few years. But behind the powerful lyrics, elaborate choreography, and polished looks lies a ruthless industry.

This John Nesbitt's Passing Parade short takes a look at the evolution of the American city, from the initially small farming village, to the eventually hectic, congested metropolis, to the future planned suburban community.

Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.

The stone-people Hew and Kew have seen a lot in their everlasting lives on top of their mountain. Therefore they're only mildly amazed by the ongoings in the valley below, they've got their own little problems to deal with - But all of a sudden, Mankind is discovering and inventing, instead of just woozeling, and this new behavior starts to threaten Hew's and Kew's stoic peacefulness...

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

Going Green

In a field surrounded and squeezed by increasing industrialization, an immigrant family, deep in financial debt, struggles to survive through traditional farming. Their son, Ibrahim, dreams of a different future for himself.

This film is a ternary tale, a rumour. The protagonists try by all means to communicate, but they don't know what to say to each other. They may be deaf, but they're certainly not dumb. They wander around hoping that the environment around them will listen and respond. So, like bewildered surveyors, our two characters wander through urban and natural spaces, changing distances as they see fit. Moving from refuge to building, they see how fragile our environments are. In the beginning, they stand beside a waterfall. At the end, they face concrete and glass.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Kirat falls for a man she meets online, only to get swept up in a virtual relationship that upends her life for years, in this shocking documentary.

Jackie Brutsche tries to unravel the dark secrets of her family and answer unanswered questions about her mother.

Approximately 250 photographs by Roman Sejkot of a mentally handicapped swimmer which are wonderfully animated by the film's director. A selection of these photographs came third in the Sports Stories category in the 1993 World Press Photo competition.