Millowitsch Theater - Drei kölsche Jungen
Millowitsch Theater - Das Liebesverbot
Millowitsch Theater - Der Meisterboxer
Tailleur pour dames
Vatelin and his wife Lucienne love tender love. Rédillon, a friend of the couple, has been courting Lucienne for years. Pontagnac, notorious womanizer and friend of the husband, has only been courting her for a few hours ... And Vatelin is enjoying this unusual situation. Everything spoils when Maggy returns, a very old English mistress of Vatelin who blackmails her by suicide if he refuses an appointment ... Lucienne has always sworn that she would take a lover as soon as proved her husband's infidelity. Who will be elected, who will be the turkey?
Le Président, sa femme et moi !
Cyrano de Bergerac is in love with his young cousin, Roxane, but does not dare to confess his love to her. It must be said that Cyrano's prominent nasal appendage attracts him constant mockery, which often forces him to defend his honor with weapons. When Roxane reveals to him that she loves the handsome Christian, a cadet of Gascony like Cyrano, the latter undertakes to take him under his protection. But the young man is cruelly lacking in spirit. It is therefore Cyrano who writes love letters to Roxane in her name, in which he expresses the ardent flame he also feels for his cousin. He even helps Christian to marry his beloved in secret. It is only years later and after having been the victim of an attack that Cyrano, on the verge of death, will finally declare his passion for her.
"Love for Three Oranges" is the first play by Carlo Gozzi (December 13, 1720 - April 4, 1806). He wrote it in 1761. The play is based on a parody of the fairy tale "Love Against Three Oranges". It was originally written as canovaccio (the explanation of the content on which commedia dell'arte actors improvise the text), but later Gozzi also added some dialogue instructions and critical explanations.
Molly is a wife of wealthy Britisher Sam Thornhill. Though devoutly loyal to her husband, the capricious Molly can't seem to avoid getting herself into compromising situations. The limit comes when a pair of Molly's stockings find their way into the boudoir of another man.
Hibernatus
Un point c'est tout !
When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.
Jan Werich and Miroslav Horníček in the legendary play of the Liberated Theatre.
We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.
In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).
Millowitsch Theater - Adel verpflichtet zu nichts
Millowitsch Theater - Die Prinzessin vom Nil
Treize à table
Claudine, a florist in her fifties, has an appointment with Valentin, her best friend and confidant. She wants to tell him about the love she has felt for him for five years. But the young man is an eternal seducer. He does not seem to be on the same wavelength as her friend.
François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.