Transhood

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

Majur is a native and gay spokesperson from the village of Pobore, on the countryside of Mato Grosso. His main activity is to be the main common link between the village people and the big town where they fight for their culture and claim for their rights.

Church & State is the improbable story of a brash, inexperienced gay activist and a tiny Salt Lake City law firm that joined forces to topple Utah’s gay marriage ban. The film’s ride on the bumpy road to equality in Utah offers a glimpse at the Mormon church’s influence in state politics and the squabbles inside the gay community that nearly derailed a chance to make history. Church & State is a story of triumph, setback and a little-known lawsuit that should have failed, but instead paved the way for a U.S. Supreme Court decision that legalized gay unions nationwide.

This short film brings light to the reality of transsexuality during childhood and aims to emphasize the importance of the role of grandparents.

Leona Vingativa

Until 1982, when homosexuality was decriminalized, homosexuals were caricatured, insulted and even condemned. They had to live hidden from the gaze of others and create their own spaces of freedom: balls, the night and especially art. Artists have contributed to making homosexuals visible, first through words, then through images, and finally by investing popular culture.

How did Hollywood pitch movies about gays and lesbians between 1956 and 1977? Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" More than half are films released between 1968 and 1972. Half are dramas and half are comedies, with farce dominating the films released after 1971. At least three advertise X-rated films: "The Killing of Sister George," "Midnight Cowboy," and Visconti's "The Damned." There's no voice-over commentary for this compilation, but it does include advertisements for snacks and one warning against public displays of affection aimed at "her" to control "him."

In the world of 1970s car racing, Hurley Haywood was cool, calm and collected. A five-time 24 Hours of Daytona winner, three-time Le Mans winner and Trans-Am champion, Haywood was a Hollywood archetype: a strikingly handsome man brought up by a good Midwestern family. Yet Haywood was often overshadowed by racing partner and volatile mentor, Peter Gregg—the Batman to his Robin—whose abrupt suicide in 1980 shook the sport to its core. And yet Haywood had secrets of his own. Despite multiple encounters with women, some that included public appearances alongside Penthouse models, he remained elusive about his personal life. With deft use of archival footage and exclusive interviews featuring actor and fellow racer, Patrick Dempsey, Hurley reveals a greater insight into Haywood’s tightrope walk between career and sexuality, while posing the question—will motorsport ever be ready for openly LGBT racers?

Cold War Roadshow tells the story of one of the most bizarre episodes in the annals of modern history — the unprecedented barnstorming across America in the fall of 1959 by Soviet Premier Nikita Khrushchev, the world leader of communism and America’s arch nemesis. At the very height of the Cold War, with American schoolchildren practicing duck-and-cover drills, the man who Americans feared could incinerate them in a rain of hydrogen bombs arrived in Washington, D.C. at the invitation of President Eisenhower. For both men, the visit was an opportunity to halt the escalating threats of the Cold War and chart a new course toward peaceful coexistence. For the American press, it was the media blockbuster story of the year.

The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transvestite, some years ago, and now calls himself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

Told through the eyes of an Australian news reporter, Eammon Ashton-Atkinson, who moved to the UK to escape depression, the documentary, follows 3 characters on their journey to overcome their struggles as the club competes against 60 other gay clubs in the Bingham Cup in Amsterdam – the World Cup of gay rugby.

Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.

Caught between two genders, the artist Eli Leven and Ester Martin Bergsmark touch and caress each other, while they bath together in clouds of steam. A persuasive voice-off describes the often hard and painful growing process, which led them to choose to be neither males nor females. But something else entirely. While memories of adolescences scarred by homophobia and discrimination are presented, the audience is also captivated by poetic evocations of bodies, of snowy woods, water, nature, and snails: the symbol of androgyny. This movie moves the audience profoundly. It is a hymn to sexual fluidity, which reveals the search for the true self, rendered through the use of contrasting, vivid, and often acid bright photography. Intended as a television portrait of the transgender artist Eli Leven, it is a psychedelic docu-fiction, a hybrid movie inspired by Derek Jarman's Sebastian.

Through the voices of Americans from all walks of life, The Out List explores the identities of the lesbian, gay, bisexual, and transgender community in America. In this series of intimate interviews, a diverse group of LGBTQ personalities bring color and depth to their experiences of gender and sexuality. With wit and wisdom, this set of trailblazing individuals weaves universal themes of love, loss, trial, and triumph into the determined struggle for full equality.

In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way. We gain a historic perspective on New York's gay liberation movement, in which Wojtowicz played an active role. In later footage, he remains a subversive force, backed by the unconditional love of his mother Terry, whose wit and charm infuse the film. How and why the bank robbery took place is recounted in gripping detail by Wojtowicz and various eyewitnesses.

The Bruce McArthur serial killer case shocked Canada’s largest city, and the whole country, when he was convicted of eight grisly murders. How did McArthur avoid arrest for nearly a decade? This film explores the untold story of Toronto’s Gay Village, and the victims of these horrific crimes.

In February 2016, rock 'n' roll trio Thelma & the Sleaze embarked on the world's first “Intra-City Tour”. They played 31 shows in 29 days and raffled off a promotional mini-van in the process, in an unprecedentedly absurd publicity stunt that raised the bar for independent artists everywhere. Exploring the furthest of reaches of Nashville’s music scene, blazing new trails in its wake, the film follows the twists and turns, triumphs and follies of all 29 days as Thelma & the Sleaze bring their raw rock 'n' roll fury through DIY spaces, art galleries, laundromats, screen printing shops, record stores, clothing shops, candy factories, roller rinks and even a McDonald’s.

The industrial noise of a factory in the Isle of Grain provides a percussive backbeat as a group of local children rap about their lives and play in the woods, sometimes wearing luminous tribal masks.

In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).