Burma: It Can't Wait

Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.

In this special Clarkson, Hammond and May don’t just buy three knackered old lorries and drive miles through the beautiful landscapes of Burma. Oh dear no. They actually have to use their lorries to do something useful. They have to build a real, use able bridge over the River Kwai. On their way to the river they almost bring down Burma’s power supply, encounter the world’s least relaxing truck stop, race around the streets of a deserted capital, saddle up a trio of unhelpful horses and attend a completely deranged party.

Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

While caring for her brother along with her audacious mother, a teenager strikes up an unlikely friendship with an eccentric activist who is protesting one of the most landmark medical cases of all time.

शात्रु गते

A group of anarchists use their public-access TV show to satirize the government until a right-wing preacher attempts to shut them down.

Dina works as a journalist for the national television station. The stories she is asked to report on are becoming increasingly absurd and full of praise for the government. Her love life is limited to a few secret meetings with her married camera­man. Dina looks after her young sis­ter, a lesbian activist, who regularly finds herself in trouble with the au­thorities.

A satirical dramedy loosely inspired by the infamous UK Miners' strikes; however this time, the fight isn’t in the pits, but on the stage. With his beloved family trade targeted by a right-wing government with a long-standing hatred for the arts, a Mime performer desperately rallies the troops for a silent revolution, vowing to save the art form from facing the final curtain.

We follow the timid Theo, whose mother stands to lose her disability benefits. Help comes from the effortlessly flamboyant trans woman Kleopatra, a militant animal-identified posthumanist (a.k.a. Rabbit), and their fearless comrades. Together they reclaim social security for Theo’s mother, with the help of black magic and a comic shoot-out with the police. But fear not: “In order to break the symbolic connection between masculinity and power, everyone carrying a gun must wear a dress.” Then there’s the release of the animals from the Götenborg zoo, and much dancing and singing in between the organizing.

In 1984, a group of LGBT activists decide to raise money to support the National Union of Mineworkers during their lengthy strike. There is only one problem: the Union seems embarrassed to receive their support.

The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.

The story of the romance between the King of Siam (now Thailand) and the widowed British school teacher Anna Leonowens during the 1860s. Anna teaches the children and becomes romanced by the King. She convinces him that a man can be loved by just one woman.

An exposé on the public health impact of factory farming across the United States, told through the eyes of residents in five rural communities. When pushed to their limit, these citizens turned activists band together to demand justice.

MAJOR! follows the life and campaigns of Miss Major Griffin-Gracy, a 73-year-old Black transgender woman who has been fighting for the rights of trans women of color for over 40 years.

For the first time, traditional Burmese singers Khing Zin Shwe and Shwe Shwe Khaing are recording an album that introduces people around the world to the Maha Gita (Great Songs), which have been sung in South Asia for 700 years. They also introduce viewers to life in Myanmar, a Buddhist country of great beauty.

The managers of a teak lumber camp in Burma compete for the affections of a beautiful American entertainer who gets stranded in Rangoon.

Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.

A U.S. military troop takes command of a band of Burmese guerillas during World War II.

The short documentary ‘Complexos‘ features intimate and emotional views on how residents of favelas in Rio de Janeiro use media and arts to raise their voices and act for justice, dignity and respect. ‘Complexos’ is part of a collaborative process between the Finland-based Anti-Racism Media activism Alliance (ARMA Alliance) and the favela-based audiovisual collective Cafuné na Laje.

The film questions whether the Civil Rights Movement of the 1960s effectively changed the Black community, and American society more widely, and examines the notion of Black power itself. Greaves interviewed major Black leaders, such as Franklin Thomas, Clifton Wharton Jr., Eleanor Holmes Norton, and Lerone Bennett Jr. to present a candid take on issues within the African American community, revealing wider societal problems in America at large.