Burma: It Can't Wait

While caring for her brother along with her audacious mother, a teenager strikes up an unlikely friendship with an eccentric activist who is protesting one of the most landmark medical cases of all time.

In 1984, a group of LGBT activists decide to raise money to support the National Union of Mineworkers during their lengthy strike. There is only one problem: the Union seems embarrassed to receive their support.

We follow the timid Theo, whose mother stands to lose her disability benefits. Help comes from the effortlessly flamboyant trans woman Kleopatra, a militant animal-identified posthumanist (a.k.a. Rabbit), and their fearless comrades. Together they reclaim social security for Theo’s mother, with the help of black magic and a comic shoot-out with the police. But fear not: “In order to break the symbolic connection between masculinity and power, everyone carrying a gun must wear a dress.” Then there’s the release of the animals from the Götenborg zoo, and much dancing and singing in between the organizing.

Graduate student Harry Bailey was once one of the most visible undergraduate activists on campus, but now that he's back studying for his master's, he's trying to fly right. Trouble is, the campus is exploding with various student movements, and Harry's girlfriend, Jan, is caught up in most of them. As Harry gets closer to finishing his degree, he finds his iconoclastic attitude increasingly aligned with the students rather than the faculty.

In this special Clarkson, Hammond and May don’t just buy three knackered old lorries and drive miles through the beautiful landscapes of Burma. Oh dear no. They actually have to use their lorries to do something useful. They have to build a real, use able bridge over the River Kwai. On their way to the river they almost bring down Burma’s power supply, encounter the world’s least relaxing truck stop, race around the streets of a deserted capital, saddle up a trio of unhelpful horses and attend a completely deranged party.

Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

Dina works as a journalist for the national television station. The stories she is asked to report on are becoming increasingly absurd and full of praise for the government. Her love life is limited to a few secret meetings with her married camera­man. Dina looks after her young sis­ter, a lesbian activist, who regularly finds herself in trouble with the au­thorities.

A satirical dramedy loosely inspired by the infamous UK Miners' strikes; however this time, the fight isn’t in the pits, but on the stage. With his beloved family trade targeted by a right-wing government with a long-standing hatred for the arts, a Mime performer desperately rallies the troops for a silent revolution, vowing to save the art form from facing the final curtain.

A group of anarchists use their public-access TV show to satirize the government until a right-wing preacher attempts to shut them down.

Shatru Gate

On April 14, 2014, the sleepy agrarian town of Chibok, in the North East zone of Nigeria, was thrust into the global spotlight when the terrorist group Boko Haram stormed the community at night and abducted 276 teenage schoolgirls from their dormitories. Daughters of Chibok deals with the aftermath of the kidnappings, and explores topical global issues of gender rights and the right to education.

While traveling undercover throughout Burma, Henry Rollins exposes the country's repressive military dictatorship.

The managers of a teak lumber camp in Burma compete for the affections of a beautiful American entertainer who gets stranded in Rangoon.

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.

The true story of Lord Francis Hope who inherits the Hope Diamond and marries showgirl May Yohe. Lord Francis Hope gambles away the family fortune and May Yohe leaves him. Another suspected curse of owning the Hope Diamond.

She Draws a Circle reflects on the work of generations of women to interrupt cycles of violence and oppression, looking to the ways in which our spiritual connections to the land and one another help us to hold space for regenerative healing, bringing the hidden to light drawing on that light to encircle each successive generation.

This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.

The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.

For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.

Ruralista: você não nos alimenta e não nos representa!