Haseen Dillruba

A video camcorder, a store security camera, and concealed cameras candidly expose lives in three loosely linked tales.

The story is about identical twins who are separated at birth and grow up with different temperaments. The twins then swap places.

Passionate Ishana falls madly in love with Ramisa. As their love grows stronger by the day, fate plays the villain and throws one hurdle after another.

Indian horror movie from 1969.

Two neighboring kings addicted to gambling, Ranjit and his cousin Sohat, vie for the same beautiful young woman, Sunita, daughter of the hermit Kanwa.

Orphaned Ravi Kumar lives in Poona, India, with his maternal uncle. As he wants to pursue a career as a singer/dancer, he re-locates to Bombay, so that he could audition for the All India Talent Association.

Preeti Sengupta (Tanushree Dutta) is an airhostess living in with her boyfriend Karan Malhotra (Rohit Roy). They share a nice 2BHK apartment in the northern suburbs of Mumbai and are befriended by their elderly neighbor Madhusudan Tanha (Anupam Kher), a struggling poet and lyricist. Tanha is a loner living with his only companion, a Persian cat whom he lovingly calls Shehzadi. Preeti is possessive and has issues with trust. When she mistakenly suspects her boyfriend to be unfaithful, she throws him out of the house but soon realizes she can't afford the payment on the apartment on her own. On the advice of a fellow airhostess, she advertises for a tenant to share her apartment. Enter Neha Bhardwaj (Neetu Chandra), a modest small-town girl asking for accommodation. Very impressed by her simplicity and respectfulness, Preeti believes she has found a perfect roommate. The two girls soon become close - their camaraderie leads them to even become companions.

Today, there is hardly anyone who hasn't visited the swanky shopping malls, nightclubs, lounge bars, clubs and other such lifestyle destinations that sprung up across the centre of Mumbai. However, very few know that buried deep below these glittering edifices to consumerism lies the dark, dirty and painful reality of many thousands of mill workers who once worked the cotton mills in this very same area. Rising and toiling to the wail of the mill sirens each and every day, seven days a week, these workers embodied the true unbridled zeal and unflagging spirit of the city and played a pivotal role in the evolution of Mumbai as the modern day business capital of India. And then it suddenly was as if they never existed. Following the mill workers strike in the mid-80s, these mills began closing down rapidly and the mill-workers mysteriously disappeared...

The film Kushti is the story of a small village in Northern India where wrestling is a popular sport and an important wrestling match is held every year. Ever year rivals Avtar Singh (Sharat Saxena) and Jiten Singh (Om Puri) try to beat each other in the wrestling match and gain the trusteeship of the village. Rama (Rajpal Yadav) plays the role of a village simpleton and a post-master. It filled with misunderstandings and misconceptions, of hidden identities and secret love-affairs and the outcome is simply hilarious. The movie begins to take a turn when a certain someone delivers a secret package in the wrong hands. Especially someone, who is bound to take advantage and manipulate the real owner of the package.

An alcoholic barmaid is distraught when her former lover, a notorious gangster, re-enters her life. She is forced to relive painful past experiences and choose between the gangster and a pleasant singer she has found comfort in.

Nana, a retired single adamant old man, has no idea that an unwelcomed guest on his four - a puppy is going to change the course of his life. Aadima, a senior graphic designer artist, doesn’t have the faintest inkling that the same puppy is going to force her to go on adventures she otherwise wouldn’t. And Neel, her grandson has no clue that he is going to help Nana and Aadima understand the needs of elderly singles.

A young boy's father is lynched before his eyes; fifteen years later he returns home for revenge.

Vishnu has a bleak future before him, he must join his father in the family's oil business and try and boost the sales of the stinking oil in small town India. He sees his chance to escape by offering to transport a ramshackle truck, with a make-shift cinema, to a distant museum that lies across the expansive desert of Kutch. His companions: a chai-wallah chokra, a gypsy girl and a burlesque mechanic.

A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.

A heavily addicted smoker is unprepared for the true price he must pay when he asks a guru's help to kick the habit.

Bollywood action comedy film with a lost and found theme, about three brothers separated during their childhood who grew up in three homes, adopting three religions. They meet in their youth to fight a common villain. It was the biggest blockbuster of 1977, and won several awards at 25th Filmfare Awards including Best Actor, Best Music Director and Best Editing.

Once upon a time in North India, two killers – Dev and Tutu - roamed free. Abandoned when young and vulnerable, Bhaiyaji gave them shelter and nurtured them to kill! All is normal in their lives until destiny throws free-spirited Disha into the mix. What follows is a game of defiance, deception and love.

After her husband, Ravi Malhotra, is killed, Sudha lives the life of a widow with her brother, Mahesh, and Bhabhi, Kamini. A new tenant, Ajay, comes to her rescue when she is molested by Bhavani's brother, both fall in love and decide to get married. Kamini initially opposes this match, but subsequently relents and both get married. Shortly thereafter she gets pregnant and it is then she finds out that Ajay is not who he claims to be, and may have been responsible for killing her husband.

Yeh Dil

It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.