Sometimes I get lossy

Some fun in the sun.

Now, we find the rowdy extraterrestrial getting used to life with his new ʻohana. However, a malfunction in the ultimate creation of Dr. Jumba soon emerges, which reinstates his destructive programming and threatens to both ruin his friendship with Lilo and to short him out for good!

The Planet Express crew return from cancellation, only to be robbed blind by hideous "sprunging" scam artists. Things go from bad to worse when the scammers hack Bender, start traveling through time, and take Earth over entirely! Will the crew be able to save the day, or will Bender's larcenous tendencies and their general incompetence doom them all?

If a machine would possess a soul it might be a beach. Every single sand corn symbolizes a data-set of a memory captured in the world wide web saved deep down in the ocean. From there the bytes condense and finally reach the cloud. But how would it feel for a machine to see the glitch waves and feeling the shore stones on its case? What would be the colours of the coastline? Glitching Offshore tries to portrait the soul of an AI and the universe behind it. Glitching offshore, alike drifting away as in a psychogeographical dérive (furthermore, away from the "rive": bank) where human intentional yet chaotic action is substituted by pixels' stirrings of the soul.

AVEZ-VOUS VU CHANTILLY ?!

Mônica and Camila walks at night. A strange sound surprises them. An object falls from the sky. They receive a message. Something evokes them.

A space cruiser crashes on a planet that is home to an intergalactic prison.

Such encounters are extremely rare and can last for perhaps a few seconds. The resulting light and heat, however, can exist in a residual state for eons. This produces in the seeker a kind of agitated euphoria similar to that of the stargazer. https://vimeo.com/3193844

Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

Ego Death

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

Static Discharge is composed of abstractions created from signal interference. The picture frame is continuously disrupted, as textured lines of feedback distort any form of representation. The flickering movement appears as if fed by an electric current with a faulty conductor - the electronic waves seem to split and repeat themselves without fully transmitting. This is a composition of video noise that creates pulsating tension, a s electricity grinds with flesh, revealing the harsh beauty inherent in a mechanical medium.

Short glitch video from Los ingrávidos.

Short glitch video from Los ingrávidos.

How can a DSLR camera move in the ruins of a 19th century mansion that is battered to be covered with glass and steel in the days to come, for that’s a more appropriate image as a shopping mall. How to get up and to do what in the ruins; the scenery of late ones to come? Here, this occurs: there are holes in some walls releasing specters to haunt which that makes impossible to reach. What is an Istanbul, where is Aleppo.

Descontrole

Jon Satrom's prepared desktop realtime performance: Windows, Rainbows, & Dinos was a part of the CAA 2010 Live Cinema Summit at Columbia College in Chicago. This is a recording of the realtime performance.

The gushing syringe of a transvestite hormonal application ritual inaugurates a tridimensional failure in the matrix of gender and the molecular constitution of the body. Bones, skin and muscles are pulverized into the video and merge with the molecules of images in a cybernetic dissolution.

Short glitch video from Los ingrávidos.

A pair of scavengers discover something strange after wandering onto the property of a mysterious technician.