It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?
A look behind the scenes revealing the courage and resilience of caregivers, patients, and their families during the COVID-19 pandemic. It is ultimately a story of hope and healing.
Beijing, China, 2020. Empty streets, mandatory masks, checkpoints, the entire state apparatus used to impose severe restrictions on population movements. An entire country quarantined to fight a fierce epidemic…
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In a Documentary Special, Matt Frei speaks to leading healthcare experts, asking how the NHS will cope with coronavirus, and if we should be acting quicker to stop things spiralling out of control.
On the 19th of March 2020, thousands of passengers disembarked from the Ruby Princess cruise ship in Sydney harbour. Their “luxury” cruise holiday had been cut short after authorities announced cruise ships would be banned from Australian ports as part of measures to stop the spread of coronavirus. Passengers mingled in groups on the shore before dispersing around the country and overseas. Far from protecting people, the release of the Ruby Princess’s passengers instead triggered a public health emergency with the cruise ship now named as the single largest source of Australia’s coronavirus infections.
During the pandemic, a grieving family finds solace through black humor and video calls with relatives from abroad.
Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?
March 2020. Fabrizio, a photographer and filmmaker who lives in Luxembourg, returns to his family in central Italy after his father has suffered a heart attack. It’s the beginning of the pandemic, the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy.
Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?
How does the UK function under the shadow of the coronavirus? This documentary, shot over 24 hours, touches on the funny and the poignant, and gauges the impact of CV19 on the country.
On the morning of 10 March 2020 all Italians woke up in quarantine. Io Resto a Casa ("I Stay Home") depicts the filmmaker's first 14 days of the Italian lockdown, without ever leaving the house, made entirely on the web through the stories of five Youtubers and dozens of videos and photographs made and shared all over Italy. Fourteen days of fears, hopes, enthusiasm, boredom, normality and extraordinariness. Fourteen days that we will always remember.
Investigative journalist Joshua Philipp examines the origins of the COVID-19 pandemic, caused by the SARS-CoV-2 virus, covering events from late December 2019 to early April 2020.
'Gideon: Searching for the truth' takes the viewer with Van Meijeren on his quest for answers to questions about the current global health crisis. Questions that are common among the population, but to which he, and therefore the people in the country, do not get an answer in the Dutch House of Representatives. A place where Van Meijeren says he often feels like 'crying in the desert'. Where he gets no answers to his 'justifiably pressing' questions. Where instead he is invariably framed and judged by form, which makes any form of democratic debate impossible in advance.
The hospitality industry is the artistic heartbeat of New York. Thousands of artists, musicians, and actors flock to Queens to work in the service industry to supplement their dreams. In March of 2020 these dreamers put their lives on hold, self- isolating and sacrificing their income as Queens became the global epicenter of COVID-19. LAST CALL follows two local bars and frontline workers in a tale of two sacrifices that saved not only the lives of thousands but also the future of New York.
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Expert Epidemiologists and Virologists explain the rapid spread of the SARS CoV2 Virus as the Symptoms COVID 19.
The film also recorded the beginning of the pandemic in China through the lens of international correspondent Marcelo Espíndola, roasting in São Paulo, Santos, Manaus and Pará. As well as Dr. Roberto Eballos (Doctor and Master in Immunology), Dr. Gustavo Pasquarelli (Infectious) and 23 other health professionals.
Lonely. Scared. Insecure. But how's it going with you? Is this the first film to be made completely in quarantine? Possibly. 'The Follow-Up' is Ben Berman's follow up film to 'The Amazing Johnathan Documentary (Hulu 2019).
On January 23, 2020, the Chinese authority imposed a lockdown in Wuhan, as well as other cities in the Hubei province, in an attempt to prevent the Corona-virus from spreading further across the nation.